Showing posts with label Colorado River. Show all posts
Showing posts with label Colorado River. Show all posts

Sunday, July 12, 2020

C1696
“Green River Reverie”
(Dinosaur National Monument, Utah)
Oil on Pannelli Telati fine cotton Panel
6”  x  8”


Imprimatura & Drawing

Block-in 

The Green River arises in the northern end of the Wind River Range in western Wyoming, first briefly flowing northwest, then loops out of the mountains to flow south along their western edge. It continues through western Wyoming, cutting the Flaming Gorge south of the town of Green River (where those of you familiar with the works of Thomas Moran will recognize the buttes and bluffs in some of his paintings). It enters Utah at the south end of the Flaming Gorge, turning east as it is blocked by the Uinta Mountains, flows into Browns Park, in extreme northwestern Colorado (definitely in Butch Cassidy country here), until it cuts through the eastern extension of the Uintas, at the Gates of Lodore. We are now in the northern section of Dinosaur National Monument. Rafting trips begin here. It now flows through deep canyons in the Monument, past the campground at Echo Park, near its junction with the Yampa River (an interesting descent of 3000” by car to get to), flows westerly from here, back into Utah and the western end of the Monument (Dinosaur National Monument, straddles the Utah/Colorado  border).

It is here where I came up on this quiet scene, not far from its egress at Split Mountain, and less than a mile or so below the Green River Campground. I have thought about painting this ever since my few brief moments here. I passed this spot several times in my explorations of this end of the Monument, and this time the lighting was just perfect. The contrasts of the purples and blues of the shadowed canyon wall (with its dark streaks of desert varnish), with the yellows, oranges and greens of the foliage, and the milky jade greens of the River itself, has stayed in my mind since those days I spent in the area in Autumn of 2017.  I stayed one night in the Green River Campground,  and it is quite pleasant as far as campgrounds go, with the River quietly flowing past. I spent the next 8 nights dispersed camping just outside the Monument on BLM land. The dinosaur bones are what bring most people to this monument, but if you are interested in geology and hiking intersting landscapes, Dinosaur National Monument is an interesting area to explore.

From here the Green winds south through eastern Utah, until its meeting with the Colorado River in Canyonlands National Park. I did not see the source of the River, but I could see the Canyon of the source south from where I camped at Mosquito Lake up on Union Pass, after I witnessed the  2017 eclipse of the Sun. I travelled the length of the Green through western Wyoming; saw it in Browns Park; saw it enter the Gates of Lodore; enjoyed the cooling shade of the cottonwoods for awhile at Echo Park; witnessed its emergence at Split Mountain; and enjoyed this little scene near the Green River Campground. I am not familiar with the River between here and Canyonlands NP, but I did see it from high places in Canyonlands, and just like not seeing the actual souces, I did not see its endgame, but I did see the canyon junctions where it joins its waters to the Colorado, from a distance. There are rivers that stay in the mind, and this is one ... I would see it again, should I ever go that way.

Pigments used in the painting were:
Imprimatura & Drawing: Rublev French Red Ochre;
Pigments: W&N Cadmiums Orange & Yellow Pale, Ultramarine Deep Blue, Titanium White;
Rublev:  Blue Ridge Yellow Ochre, French Red Ochre, Lead White #1;
Schmincke: Caput Mortuum;

Saturday, April 28, 2018

Snow … Grand Canyon, Part 1.

Saturday, March 17th, 2018 to Monday, 19th March; Grand Canyon Snow.


C1666
“Complimentary Canyon Colours”
(Grand Canyon National Park)
Oil Study on Pannelli Telati fine cotton Panel
5” x 7”

SOLD

This painting is a tough one to reproduce on screen.  I suggest that perhaps you look at it with slightly squinted eyes.  The amazing blue shadows of evening and the complementary oranges of the light on the buttes and mesas within the Canyon are the subject of this almost abstract study.


(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)


Next morning … on to the Grand Canyon on a perfectly cloudless morning.  However, by the time I was able to get a campsite in the Mather Campground there, and got up to the visitors center, and watched the short introductory film, there was a lot of cumulus cloud, casting wonderful shadows across the Canyon.  I took a shuttle bus out west to the Hermit’s Rest and strolled back towards the east to Pima Point.  I found a rough footpath below the paved one and took that.  It was rugged and out of the wind, and even though only several yards from the paved path, had better views … makes you feel you have the Canyon to yourself.  By 16:30 you could see a front to the north, behind the cumulus, that portends the snow to come.  That snow came after 23:00 and only about three inches by Sunday morning, the 18th of March.

Distant snow shower.


Snow on the Canyon rim at 7000’  ...

… nothing at the Colorado River,
a mile below!


Pinyon Pine.

Yuccas in the snow on the Canyon rim.


I let the falling snow lighten and when intermittent Sun began to show, I took the shuttle back towards Hermit’s Rest, but this time got off at Mojave Point and slowly worked my way back to the transfer point at Bright Angel Trailhead.  It was a day of increasing Sun with the odd snow shower sweeping past, and cloud shadows turning the Canyon into a light show.  I will let the photos speak for the day.  Towards the end of the hike, I was looking down on Bright Angel Trail, when I spotted a doe and a fawn on the trail across this side canyon.  A pair of hikers were slogging up the trail, and I paused to see what would occur.  The deer stayed on the edge of the trail, but kept their eyes warily on the hikers as they gingerly slipped past.  Then they went off trail on one of the slopes to graze … they must be used to the hikers if they graze that area.  I happened to meet the hikers at the shuttle stop; I had a feeling that they might be the two I had seen, and so they were … a couple from Belgium.

Approaching snow shower…

… that got bigger …

… especially a bit in from the rim …

… and then passed on to the east …

… leaving a day of Sun …

… and Shadows.
The Temple of Zoroaster,
seen in the last photo, here top left.
The clocks went forward to Daylight Savings Time, recently, but not in Arizona, which does not do DST, although the Navajo Nation, which straddles the Arizona/New Mexico border, does.  None of this really affects me, as I did not change my watch to Winter Time last Autumn.  I decided that by not doing so I would have lighter evenings during the Winter, and also be early for things.  Psychologically it worked for me, and I am toying with the idea of putting my watch ahead an hour to have a “double Daylight Savings Time!” I might just not change it when I transition back to the Pacific Time Zone from the Mountain Daylight Savings Time I’m on now, once I get back to Oregon.


The Bright Angel Trail follows the Bright Angel Fault, which you can see here running diagonally from the lower right to the upper left.




You can see the trail below, lower right, but it splits neat Indian Garden, the green oasis in the center, and that trail on the left goes out to Prospect Point, while the other descends to the right and the Colorado River.  It crosses the River and continues to the North Rim, still following the Bright Angel Fault.
No snow 3000’ below at Indian Garden.

Doe & fawn on the Bright Angel Trail …

… confronting an upward trending hiker;
the snow will last awhile down there
in the shadowed canyon.


Pigments used in the painting:

Imprimatura: Rublev Ercolano Red;

Drawing & Block-in: W&N Cobalt & Ultramarine Deep Blue;

Pigments: W&N Cobalt and Ultramarine Deep Blues, Permanent Rose, Cadmiums Orange & Yellow Pale;

Rublev: Orange Molybdate, Italian Burnt Sienna, & Lead White #2.