Friday, June 12, 2015

Christmas Eve in the High Desert

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)

C1591
"Last Sun-break over the Rabbit Hills before the Approaching Storm "
(Warner Valley, Oregon High Desert)
Oil Sketch on Centurian Oil Primed Linen Panel
with an additional coat of Rublev Lead Primer
4" x 6"


We now continue with the journal entry for Christmas Eve, carrying on from the last entry upon returning from my supplies run to Lakeview (here).  Cloud began to come in from the southwest late in the day, but the stars did come out, and the crescent Moon, and while eating supper I watched it set, disappearing behind the Coyote Hills at 18:43.  Throughout the night the bands of cloud thickened and the wind arose, and by Christmas Eve morning there was only the odd wan sucker hole allowing a bit of sun to shine through here and there, and what appeared to be the occasional shower passing in the far distance; but it didn’t feel like rain just yet … when would it arrive.  And then during breakfast a few larger sun-breaks appeared and so a few hundred yards from the CCC Hut Campground I made a quick pencil sketch of view seen in the above Oil Sketch, and then returned to more level ground to paint the Oil Sketch from the driver’s seat; the view of the Rabbit Hills remained the same for reference, but the foreground was referenced from the pencil sketch.  It was a good thing I had done the drawing, since within the hour the rain swept in obscuring the distance at times; the lighting depicted was as it had been just after breakfast.  The rain became snow by 15:00 … a dusting, really, with more on the upper slopes of Hart Mountain, behind me … and although the wind slackened off during the day, there were some gusty periods, as the temperature dropped from the relative warmth of the morning.  The waxing crescent Moon broke through while drinking my after supper coffee, and I watched it until it set at 19:54; Christmas Eve in the High Desert … and tomorrow Christmas Day … maybe more snow!

Imprimatura: Venetian Red.

The Pigments used were:  Rublev Blue Ridge Yellow Ochre, Italian Burnt Sienna, with Winsor & Newton Cobalt Blue & Cremnitz White.

Sunday, June 7, 2015

The Coos Art Museum 22nd Annual Maritime Exhibition

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)

The following paintings have been accepted into the
Coos Art Museum 22nd Annual Maritime Exhibit (2015), and are for sale.
Exhibition dates are from July 11, 2015 to September 26, 2015

The first two paintings are of coast at Bandon, Oregon, and the third painting is located at Devil's Elbow State Park, below Heceta Head Lighthouse, Oregon.

CAM ID#: 0108
“Smoldering November Evening”
Oil on Ampersand Gesso Panel
with additional Coat of Rublev Lead Oil Ground
Painting Size 8” x 10”
$500 Framed

The above painting was done using a quick pencil sketch in my small pocket sketchbook as reference.


CAM ID#: 0109
“Sunshine & Sea Mist”
Oil on Canvas Panel
with additional Coat of Rublev Lead Oil Ground
Painting Size 9” x 12”
$600 Frame


CAM ID#: 0110
“First Light at Storm’s End”
Oil on Ampersand Gesso Panel
with additional Coat of Rublev Lead Oil Ground
Painting Size 3½” x 9¼”
$350 Framed
[SOLD during the Exhibition]


These paintings are for sale.  If you do not live in the area and need the painting shipped to you, please add $25 per painting for shipping and packing charges in the USA; for elsewhere, please email me and I shall make enquiries at the Post Office. 

If you do purchase a painting, please be aware that they must remain in the exhibition until the end of the show, and the Artist will ship them shortly thereafter, which will be early October. 

Should you wish to purchase any of these paintings please contact the following, and have the CAM ID# and the Title of the painting ready:

Archi Davenport
Coos Art Museum
235 Anderson Avenue
Coos Bay
OR

Tel: (541) 267-3901
Hours: Tues - Fri: 10 am to 4 pm
Saturday: 1 pm to 4 pm
CLOSED Sun-Mon and all major holidays
Admission: $5, $2 for students, seniors, free to Members of CAM.

Friday, June 5, 2015

The Passing of Old Friends

C1343
“Evening Glow over Minnis Bay”
(Isle of Thanet)
Watercolour
11” x 23½”

I am feeling a bit subdued this week; I received word that one of my good friends passed away last Wednesday morning.  There are people who are acquaintances that you know enough to greet on the street and maybe even have a conversation with, about say the weather or some such thing.  Then there are those acquaintances who you know well enough to have more consequential conversations with, have a cup of tea with, or have an occasional beer with in the pub, and these people you can call friends.  Then there are those friends to whom you gravitate more naturally, and with whom your more consequential conversations may be even deeper, and these people become Friends. Then there are those Friends with whom you can bare your soul to; who don’t judge you, nor you them (but if you do, you accept them, warts and all, for who they are … you give them the benefit of the doubt … and they you, because of shared history); from whom you feel you can ask for a bit of help if necessary, and with whom you might share dinners, a few beers after the pub has closed, perhaps play practical jokes on or with, and at times argue with, with no hard feelings; these Friends become your Mates.  Mate … now there’s a word; mate, from matelot (pronunciation: matlˈōmatˈlō), as in shipmate; in Britain (and Australia) this is how you understand the word, and how I have come to understand the word, having lived over there for 34 years (23 in North Cornwall); not as my fellow Yanks, who think of the word as wife & lover.  A Brit would say, “I’m goin’ down the pub ta ’ave a few bevies with me mates,” probably to his wife as he headed out the door, whereas a Yank might say (to his mates in the British sense of the word), “I’m going home to my mate (meaning wife or lover); can’t stay with you jokers all night!” except that I’ve rarely heard the word used in America in any sense of the word; two nations divided by a common language; I use the British sense hereafter.

Sharon died last week.  She was a mate of mine (in the British sense), and the mate (in both the British & American sense) of my mate Clive; they were together for over 30 good years.  I lived in Boscastle, North Cornwall in those days and been there for a couple of years when Sharon moved into the village, and took a job for a time as a barmaid in the Wellington Hotel; I might have seen her there first, but the first time we met was when I came striding swiftly up the hill from the house in the harbour, where I lived at the time, to the Spar grocery shop, passing Sharon on the way.  “Oi!” she called out when I was a few yards past, “In that shirt and your hair I thought you were my husband, but you’re too tall.”  I was wearing a red and black woolen lumberjack shirt at the time.  I’m sure I said something inconsequential and proceeded on to my grocery shopping, as Sharon was new in the village and I had learned by this time not to waste much time with newbies until they had weathered a Cornish Winter, since newbies were wont to disappear back to wherever they had come from within the first few months of their flight to Cornwall.  Within a year, however, her husband had returned to London, and Sharon remained, and she and Clive had become an item remaining so to the end. 

Sharon became my landlady, when I had to leave the house in the harbour and I moved into the ground floor of her 300 year old slate cottage  (with walls a yard thick), after she had been in the village for a year or so, weathering the Cornish Winter just fine, and she needed a paying tenant.  By that time she came with Clive & I to her first Padstow May Day (my third), singing old songs in the Red Lion, as we did for 20 more (before I returned to the States); attended Roughtor’s infamous party at his thatched cottage the previous November, where I fell asleep in the huge old fireplace awaking in the morning to discover blood all over my face from a miniscule cut from a tiny glass shard lodged in my forehead (easily removed … those ‘ead wounds don’t ‘alf bleed, Guv’nor); and been to a 21st birthday party at the local asylum mental institution in Bodmin for one of the male nurses there, whose sister we had picked up hitch-hiking on the way to Padstow May Day.  Sharon always chuckled while telling the story of how we had arrived back in Boscastle about Noon (after we had breakfasted and played pool in a trucker’s café after the all night Bodmin asylum party), whereupon Clive parked next to a stone wall, thus forcing me to crawl from the passenger side to exit the vehicle through the driver’s door on my hands and knees.  I was weary and the situation had struck me as ludicrous, just coming back from an all-nighter at the asylum and all, and so as I crawled out on my hands and knees, I gave my best Jimmy Saville yodel (the Brits will know what I mean), and cried out, “Wot a party!” in my best London accent, just as two old dears came walking past from the grocer’s, looking disgusted.  “Oh Steve!” she would say, “You should have seen their faces!” (One needs to be disgraceful on occasion to keep a semblance of humility … and humanity).  That might have been when I knew she was a mate.  The next two Christmases I went upstairs for dinner, along with Smiley Rick, and I believe Roughtor (pronounced: Row [as in ow!] tore) was in attendance for at least one (if not both) of those as well. 

After that Sharon and Clive moved on down to Padstow, first opening up a pottery shop, and two years later changing that into a bistro, at which time Sharon needed to sell her Boscastle cottage to finance the change, and thus no longer was my landlady. I then bought my flat, sadly not in Boscastle, but 4 miles south of Padstow, but I did have those two mates not far away and many more memorable times were to be had over the years.  I remember her telling me one day that one of their serving maids at the bistro  had addressed her as Shaz (Sharon shortened,  much as the name Barry is often shortened to Baz or Bazza).  “I was mortified,” she said, “I’m a Sharon, not a Shaz.”  “Quite right,” I replied, “You’re not a Shaz; but perhaps Shazza … Shazza … hmmmmmm … perhaps not.”  I hear her laughter still.   

I last saw them seven years ago in 2008; briefly … 3 hours or so of an evening, my time in Cornwall being limited to just a couple of days.  Sharon was studying something or other, she had studied bookkeeping not long before I returned to the States, but I believe this was more like History; I know she was very interested in Egyptian History and had always said she would like to study that more seriously; whether it was that or not I don’t know … I would like to think it was.  Sharon had suffered early with arthritis, but she handled it well, so much so we rarely were aware of it.  I don’t know how much that might have been a part of her recent infirmities, as what little I know has come to me via me mate Pete up in London, Sharon & Clive not being writers, other than the annual Christmas Card until recently; but mates are mates whether or not you keep in close contact … that’s part of what makes up being a mate … although one would like to hear more about what they are up to, nevertheless when you do meet up again, you easily catch up and continue where you left off … because you’re mates. 

Pete said “there was a long litany of problems none of which are relevant now, thank God.  She's gone back to being the intelligent woman with a great sense of humour that we know and love.”  In that Pete is so right.  I could say that the World is now a poorer place with her passing, but the World cares not for any of us; however, for those of us who knew her, and especially her mates, her daughter Morwenna, and family, it is a much poorer place, her wit and her laughter will be sorely missed … that is all that any of us can expect, or hope for … to be remembered by those who cared about us in life.  Sharon was too young to leave us, being nine or so years younger than me, but then anytime is too young for the leaving, to someone who once said to friends on the Isle of Skye (I was 22 at the time), “I’m so ornery … I’m going to live forever.” … being older now, perhaps I won’t … I’m still ornery, though, so there is yet hope.  The spot where Clive will be placing her ashes is a wonderful place … for myself it is one of the finest views in all of Cornwall, looking from Trevalga Village over the fields and cliffs past the fjord of Boscastle, and on to Lundy Island.  Farewell old mate; I will come and visit when I am able.

In the title to this posting I said old friends, and so I shall give a mention to a good friend, Helen, who passed away last November.  I only knew her for maybe 12 or 15 years or so; she was partner to my old mate, John, who I have known since my earliest days in Boscastle, and their door was always open to me; she made a mean roast pork or a roast salmon dinner, followed by port and cheese in front of a good fire, of an evening, while it might be storming outside their residence on the edge of Dartmoor (think, Hound of the Baskervilles).

When I returned to from the desert at the beginning of the year (see my recent blog postings), I found an email from Jane, the wife of another good friend Roger; I had written to them last Summer to let them know of the beginnings of this blog, and perchance they had added a computer to their home since I had last seen them in 2007, I believe.  They had recently been making plans for their lives now that their two girls had flown the nest and Jane was taking an early retirement.  Sadly, not to be for Jane was writing to tell me that he had suffered a massive heart attack two years before, and was no longer with us.  Roger was a good friend, and would undoubtedly been a mate, if we had lived in the same village or close by, and thus met up more than the two or three times a year that we did, while I still lived in Cornwall, usually at exhibitions or if I had time to pop in for a cup of tea as I was passing by Bude (their town), delivering paintings to one or other of my galleries.  I was always happy to see them, and would have liked to have seen them more often, but 40 miles in Cornwall is long ways.  I worked in a gift shop in Boscastle for my first few Summers in Cornwall, and in ’83, the first Summer I had some of my paintings in the shop, they walked in and engaged me in conversation about them; I will always be indebted to Roger and Jane for introducing me to one of my best galleries, Gallerie Marin; I first placed my work there the following year.

I have a cold anger in my heart for the greed on Wall Street that threw the world into the economic crisis back in 2008, and the recession that followed, and which has prevented me from being able to visit old friends and old mates in England ever since.  These three I will not see again, but all live on in my heart … Sharon, Helen and Roger … and all as I knew them best … fare thee well.

Friday, May 22, 2015

Supplies

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)

Stars were bright all night with just the occasional cloud passing by; I awaken several times during an average night; always have.  And the morning came bright and fair, and the best day since I left for the High Desert more than a month ago.  Christmas being two days off and my supplies needing a top up, I headed for Lakeview, 60 miles off.  I would have liked to have painted on a day like this, but I didn’t want to go to town on Christmas Eve, as I have no idea what the business hours might be.  I discovered that the water pump at the campground actually was working, and so I filled my containers; later I also discovered that it depended on the temperature whether water actually came out or not, but it was interesting to know, that it didn’t seem to be closed off during the Winter. 

I drove through Plush, 15 miles from the CCC Campground, and which has only a small general store, stopped to take some photos of an old green barn, which I intend to paint at some point.


Green Barn in Plush

I continued on up out of the Warner Valley, via the Plush Cutoff Road, and with Drake Peak, to the southwest as a landmark, I enjoyed the drive along the rolling terrain of the plateau.  A few miles along I noticed a large herd of cattle, about two hundred, far off to the west that had not been there two weeks earlier; they looked odd, so I pulled over and glassed them with my binoculars, and lo and behold they turned into ANTELOPE!  Here I have been in the Hart Mountain National Antelope Refuge for almost two weeks, and not one sighting of an antelope, and here they are across the valley!  Sadly, they were two far for decent photographs.  I stopped again just before joining Hwy 140 to take some more photos of Drake Peak (altitude 8407’); this is part of the Warner Mountains. 



Drake Peak

I liked the look of Lakeview, (population 2294; 2010 census); it’s an oasis of trees and houses in the High Desert.  First I had lunch at the Burger Queen; I felt like having a cheeseburger at a local one-off café, for a change.  Next I visited my bank and as I was strolling through the doors, I noticed across the street a tiny home-like building with a sign saying, “Town Hall.”  I enquired of the teller, if that was actually the Town Hall across the street, and upon receiving a yes, I paused for a few seconds, searching for words, and said, “How sweet!”  Well … it was; what else need be said?  Chuckling to myself and exiting to the street, I looked at the sweet Town Hall again, and proceeded to the Safeway, the only food store in town that I was aware of.  Then after topping up my stores, I drove around the town a bit; I was surprised at the variety of and number of shops there were; perhaps I shouldn’t have been as it is a long ways to anywhere else.  I tanked up on petrol, gave my Mom a call, wishing her a Merry Christmas, and headed back to the wilds.  I hoped to find a road into the mountains that wasn’t too snowy, and find a clearing among the pines to spend Christmas, but even though I found one that might have been OK, and after driving a short way along it, I decided not to risk it … snow, and the memory of my recent mudfest of a few weeks ago, militated for caution. 

In the end I returned to the CCC Hut Campground, sighting no antelope on the way, but a herd of deer with one stag, as I dropped down into Plush, and another herd as I entered the campground, also with one buck.  I Mountain Bluebird was gracing the fence as I pulled into my campsite; they are a beautiful blue, these birds … a bit of sky come to Earth.  I took a few photos of the last sun on the Hart Mountain Ridge (both of these below are from my campsite).  



Last Light on Hart Mountain #1
(& Poker Jim Ridge)


Last Light on Hart Mountain #2

There were some cloud layers to the southwest as the sun set, and as I prepared supper, I thought I glimpsed Venus low above the horizon.  This was confirmed later, when I brought up my Astronomy App on my tablet … so, Venus will now be an Evening Star for the next few months.  My tent neighbors of the night before had gone up the mountain this morning, so I again had the camp to myself.  I watched the thin crescent Moon until it set at 18:43, read a bit and turned in for the night, hoping the morrow would be as nice as this day had been.

Friday, May 15, 2015

Misty High Desert Showers

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)


C1590
"Misty High Desert Showers"
(Warner Valley, Oregon High Desert)
Oil Sketch on Centurian Oil Primed Linen Panel
4" x 6"


(Take further Note: the images and incidents herein occurred in December 2014.)

Although there were intermittent stars during the night, by 06:15, when I arose, it was overcast and a light rain.  Coyotes yipped and yowled to the northwest, just as they did as I prepared supper the previous evening … towards the Rabbit Hill, no less; the Coyote Hills are the massif to the south from the Rabbits.  As I ate breakfast I was taken by the peach coloured strip of sky low along the horizon to the left of Poker Jim Ridge, and glowing through the soft desert rain … perhaps a promise of clearing; it was essentially the same view as painted two days before (seen here), but a different kind of rain.  Breakfast finished I did a rapid Oil Sketch using a big brush to quickly jot down the impression, as witnessed by the brushstrokes; it’s always interesting to see how much one can do with a large brush in good condition.  I used about a #6 bristle bright, for the whole thing, save for my monogram; one learns to judiciously use the corners for the smaller details.  I am learning that one goes through Oil brushes at a much more rapid pace by far than with Watercolour brushes; brights* soon become ragged filberts*; Watercolour brushes, especially the larger ones, can last for decades, well taken care of.   

After I had completed that sketch I had lunch, hoping that the day would improve and cast some interesting light over the landscape, so that I could perk up the sketch of the CCC hut published in the last post, but it was not to be; the rain did stop, but the overcast remained, so I continued on and completed that sketch, and dabbing in the deer as I mentioned in the last post.  Thus it remains more or less a reference study. 

Even though I am still in (just) the Hart Mountain National Antelope Refuge, I have yet to see any antelope; coyotes, some birdlife and deer, but no antelope.  I wonder what is the best time of the year for their sighting.  A Great Horned Owl hooted off towards the mountain to the east, while I prepared supper, replacing the coyote choir of last night and the morning’s serenade.  I cooked at my campsite tonight as it was warm and calm, and stars appeared through various sucker holes to the southwest … over the Coyote Hills across the Warner Valley.  I have a tent neighbor several sites away, and almost a caravan neighbor in another, but after supper, the latter, left and headed up the mountain.  They could have a problem maneuvering the caravan in the snow at the Hot Springs campground, if that’s where they were headed, but perhaps they were instead passing through the antelope refuge, and heading for Steens Mountain.  Since Christmas is only two days away, tomorrow I shall go into Lakeview, the ‘tallest town in Oregon,’ to top up my supplies and my gas tank … oh, and my water supply as well! 

No imprimatura was used, just the white of the Oil Priming, and the Pigments used were, Rublev Blue Ridge Yellow Ochre, and Winsor & Newton Cobalt Blue, Venetian Red & Cremnitz White.

* A bright is a short flat squarish brush, and a filbert is a flat brush with rounded corners, so the tip is rather oval in shape.

Tuesday, May 12, 2015

Hart Mountain from the CCC Hut

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)

"Hart Mountain ‘CCC’ Hut"
(Hart Mountain National Antelope Refuge, Oregon High Desert)
Oil Sketch on Panelli Tellati Canvas Panel
with additional Coat of Rublev Lead Ground
8" x 6"


(Take further Note: the images and incidents herein occurred in December 2014.)

I’ve had a very busier than normal ten days, so this posting is well overdue, so to carry on from the last post … the first night down here at the Hart Mountain CCC Campground, in the Warner Valley, was a very rough and windy.  The gusts I sheltered from while cooking last night’s supper, turned into a very vicious wind by the time I turned in.  I had chosen a campsite that faced the mountain, but after only a few minutes in my sleeping bags, I realized that I had parked broadside to the wind and the SUV was lurching back and forth like a small boat in wild seas, so I climbed over the seat into the driving position, and moved to the next campsite and faced northeast away from the wind, which now blew down the length of the vehicle from back to front … much better, but even so there were moments when I feared the gale might pick up the truck and waft it into the side of the mountain. 

Came the morning and the winds scaled down immensely, but it remained overcast on this shortest day of the year; Christmas looms near.  The winds, having blown from the south/southwest all night, were warmer and the patches of snow on the mountain were visibly reduced.  I quickly finished up yesterday’s Oil Sketch of ‘December Rain Shower,’ and after a brief lunch decided to try to get down the feel of Hart Mountain from here.  Since the mountain ridge is 20 or so miles long I chose a section of it rising behind the CCC hut (the Civilian Conservation Corps that gave jobs to many during the 1930s’ depression … probably could have done with some of that during the last 7 years, rebuilding bridges and other infrastructure in this country).  The overcast and intermittent rain gave a bland light on the scene, but the mountain top with cloud swirling about was interesting, and the resident herd of deer made an appearance at the right time so I dabbed in a few deer blobs near the hut; the patch of gold in the notch below the snowline was a grove of Aspens, and they had lost their leaves, but I dashed in their Autumn Gold colour as a reminder; an informational sketch.  It is about a three and a half thousand foot rise to the tops from here; maybe a little more; reminds me of Scotland a bit since the rise in altitude is similar, although it must be pointed out that we are already at an altitude on this valley floor that is higher than the top of Ben Nevis (the highest mountain in Britain, to inform the Yanks).  I completed the sketch the next day … these days are short.

What a difference a day makes; high winds while cooking last night and tonight … nary a breeze.  It did rain while I cooked, but thank goodness for the sheltered cooking area, and then the stars came out while I ate my chicken and pesto pasta, with mushrooms, corn and olives;  mmm, mmm good!  Before turning in for a quiet & calm night, I spent half an hour or so tracing some of the constellations that I’m less familiar with: Pisces Austrinus; Cetus; Equuleus; & Aquarius.  All of these I have always more or less known they were there, but in the winter skies other asterisms have usually caught my attention; they are also relatively dim. 

Imprimatura: Venetian Red.

The Pigments used were:  Rublev Blue Ridge Yellow Ochre, Italian Burnt Sienna, with Winsor & Newton Cobalt Blue, Venetian Red & Cremnitz White, and a touch of Cadmium Yellow.

Sunday, May 3, 2015

December Rain Showers in the Warner Valley

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)

C1588
"December Rain Shower"
(Hart Mountain National Antelope Refuge, Oregon High Desert)
Oil Sketch on Winsor & Newton Canvas Panel
5" x 7"


(Take further Note: the images and incidents herein occurred in December 2014.)

After the delightful though brief glimpse of the stars through the sucker holes in last night’s cloud, the rest of the night was overcast and a quarter inch of snow had accumulated on the truck.  I was at work finishing up yesterday’s painting by 09:00, refining the huddle of buildings and vegetation that make up the headquarters of the National Antelope Refuge, here at Hart Mountain.  And the rain came sweeping in … and the wind … at times obscuring the HQ, but most of the time obliterating the distant Beattys Butte, and even the closer mass of upland on the right where lies Lookout Point. 

Upon finishing the sketch I drove the mile to the HQ and entered the ‘Open 24/7 Visitors Center,’ and corrected my entry in the log about how many days I had been in the Hot Springs CG.  I used the indoor head and spent some time musing about the weather outside through the windows, working out my best course of action.  The rain was obscuring the view of Hart Mountain, which I had considered sketching; the rain might freeze on the descent back down to the Warner Valley, up which I had ascended a week earlier; the rain might turn to heavy snow back at the Hot Springs CG, and keep me there longer; so the best course of action seemed to be descending the 1400’ back to the Warner Valley, and to camp at the CCC campground at the base of Hart Mountain, which was still just inside the Refuge. 

Thus I gingerly made the descent; my fears of rain freezing on the road proving unfounded, and the driving rain had now turned to individual squalls moving periodically across the landscape.  After exploring the as expected empty campground, I began another painting; this time of rain showers over the Warner Valley.  The view is north from the CG with the northern extremity of Hart Mountain being the cliffs on the extreme right of the sketch, and Poker Jim Ridge, being the lower high ground immediately to its left; the road up to the plateau behind, and down which I had come, lies between the two.  I’m not sure whether Poker Jim Ridge is considered part of Hart Mountain or not, but it forms part of the same escarpment that forms the eastern edge of the Warner Valley.  I wonder how often the lakes in this valley actually have water; I would like to see them when that might occur, filled with wildfowl, as in times of old (actually not so long ago, but the current extended drought, hereabouts, has aggravated the situation).  You might wonder where the drought is, with all this talk of snow and rain in these postings, but the accumulations have not been great, and if that which falls is rain instead of snow the accumulated snowpack up in the higher mountains is not as normal; and the accumulated snow pack up there is what sustains these regions, by its slow and measured melt, during the warmer months of the year.

With dark coming on I repaired to a roofed picnic area, with walls at one end and prepared supper.  Although windy, the main wall blocked a good part of it, and my body the restless gusts that crept around the barriers, so that supper was more easily managed than if I had been out in an open site.  I would finish the painting in the morning.

Imprimatura: Venetian Red.

The Pigments used were:  Rublev Blue Ridge Yellow Ochre, Italian Burnt Sienna, Lead White #2, with Winsor & Newton Cobalt Blue, Venetian Red & Cremnitz White.