Wednesday, March 25, 2015

High Desert in Winter

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)

C1581
"High Desert in Winter"
(Beattys Butte, Oregon High Desert)
Oil Sketch on Ampersand Gesso Panel
4" x 6"


I finished the Oil Sketch, “Winter Aspens” (posted last time on the blog), and drove 11 miles to the above view, startling a coyote near the Refuge HQ on the way.  The main mountain in this view is Beattys Butte, but the massif includes 3 or 4 other peaks behind, one of which is Mahogany Butte, for those of you who might be familiar with the area.  I had a bite to eat while I studied the scene.  The flat, white area in the middle distance is the dry bed of Flook Lake, and I am near the entrance to a two track road that goes down there and beyond; worth exploring in the dry season … I’m now experienced in what roads are best left for another time, thanks to the mud-fest. 

Cloud came in slowly from the southwest (off to the right in this painting), while I worked and so I reckon there will be no Geminiids visible tonight.  Just as well, since a good night’s rest is in order, now that I’m daily painting.  Beattys Butte, and its attendant massif, is about 16 miles away.  I have addressed the issue of perceived distance before, and no doubt will again, but it is so interesting to look out over great distances in landscapes such as this, and realizing how distant certain features actually are.  To the left of me, as I paint, Steens Mountain lies about 35 miles distant, with its heights lost in cloud, and behind me there are distant hills 50 miles away. 

After finishing this sketch, second of the day, I drove back to camp in the twilight, and on the Hot Springs road, after passing the HQ, a pair of coyotes came running down the road towards me, and without stopping they split and continued on both sides of my truck.  I got a good look at the one on the driver’s side; healthy, and with bushy fur … all decked out for Winter.  I stopped and inspected their footprints, as they rejoined and ran on down the road.  Yep; same footprints as I have seen before and decided were coyote tracks, at my various track sightings. The Owls were hooting closer tonight as I prepared supper, with my red light headlamp on my head, in the darkening sky and with a light snow falling as I cooked.  It doesn’t get any better than this.

Imprimatura: Venetian Red; the Pigments used the usual Rublev Blue Ridge Yellow Ochre, Italian Burnt Sienna & Lead White #2, with Winsor & Newton Venetian Red and Cobalt & Cerulean Blues.

Sunday, March 22, 2015

Hart Mountain National Antelope Refuge

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)

C1580
"Winter Aspens"
(Hart Mountain, Oregon High Desert)
Oil Sketch on Ampersand Gesso Panel
5" x 7"


A further dusting of snow overnight, but when I awoke at 03:40 I glimpsed Orion blazing in the western sky through the snow covered Ponderosas, but after a couple more hours of sleep, it had clouded over, and by 08:00 there were signs of clearing seen through Warner Pass off to the northwest.  It was now Saturday, 13th December, and I determined to get out onto the open High Desert today.  I did so after first taking a few snow photos and looking at animal tracks , including a coyote that had come through after the dusting of new snow had fallen during the night.  I could see where he had rifled through sagebrush clumps nosing for rodents; I did not detect whether he had been successful.

I studied the map trying to determine where I should go.  I had it in mind to go up to Blizzard Gap on Hwy 140, and do a painting where I had eaten my Thanksgiving ham sandwich on my way to Oklahoma two years before, but I thought I might go towards the Hart Mountain National Antelope Refuge, across the Warner Valley from the Warner Mountains, where I now was.  If I went that way I might be able to find out in Plush (a small village on the way), whether it was possible to get up there or not at this time of the year; I thought it might be possible, since the gravel road was listed as a scenic byway, and thus possibly maintained during the Winter.  If not I would have familiarized myself with the Warner Lakes area of the Warner Valley, and could return from Plush to Adel on Hwy 140 by a more easterly road than the road I was about to take to Plush, this latter being known as the Plush Cutoff Road.  Less than a mile onto the cutoff, after leaving Hwy 140, I had to stop for photos of Drake Peak and again for other vistas opening up the 20 miles or so to Plush.  There was a general store open, and the owner thought I shouldn’t have any trouble on the scenic byway through the Antelope Refuge, or a couple other gravel roads that were maintained by the county, but should stay off the two-lane tracks … thanks to my week long mud-fest I already knew that.  He seemed to know nothing about the Refuge Headquarters. 

I meandered north up the Warner Valley, with the wall of Hart Mountain rising on my right, and viewing the dry beds of the Warner Lakes, some with small ponds or puddles therein, thus giving one’s imagination a hint of what they might be like in wetter years.  Sixteen miles or so out of Plush, I passed a campground at the depression era CCC hut, determined that I could camp there at some point, and shortly thereafter, started up the face of Hart Mountain.  I followed what looked like a recent snowplow track, and by the time I reached the plateau behind, and 1500’ higher than Warner Valley, had this confirmed when I passed the snowplow coming back down the mountain.  In a few miles I arrived at the Antelope Refuge HQ, with not a soul in sight, but with signs of occupation.  I parked and began to study my map, when I noticed a sign on a door across the way … Visitor’s Center – Open 24/7 … and it was.  It was a medium sized room,  heated, and with information brochures, maps and exhibits of the Refuge, and with an indoor loo.  Here I found that there were two campgrounds nominally open all year ‘round; one I had passed by at the base of the mountain, and the other was 5 miles directly south of the HQ, at some hot springs; a proviso stated that open all year weather permitting, which I took to mean until the snow plow could get there.  I drove down to the Hot Springs CG, determined I would stay there, and also that I should spend what was left of the day to drive around and explore painting sights.  Thus … I never did get to Blizzard Gap this journey. 

I drove back to the HQ, signed the visitor’s book in the heated room, discovered in there that a lady had spent 5 days hiking and taking photos hereabouts, and had left about the time I was doing my laundry in Lakeview; the implication being that if a single woman had spent 5 days here recently it was probably at the Hot Springs, and that the CG was truly open in the Winter.  I marked that I would be staying a couple of days, and continued with my recon drive.  I drove 21 miles towards Steens Mountain, out the other side of the Refuge for a couple of miles, thus determining the state of the Winter road, and spotted several future painting possibilities, and retraced my steps past the HQ and back to the Hot Springs CG.  Although the road was plowed to the CG, I made my own road through the snow to my individual campsite.  I was alone … and happy about it.  I prepared supper in the gloaming, as the Winter stars winked on; they blazed fiercely in a crisp dark sky by supper’s end, and I caught a few meteors of the Geminiids Shower, that would reach its peak in the wee hours, and crawled into my sleeping bags, to the hooting of Great Horned Owls away by the Hot Springs. 

The next morning, 50 yards from my campsite, I painted the above Oil Sketch, in the morning light.  The tire tracks in the snow are mine from the evening before.  The snow  is about 4 inched deep, and would be 6 inches by the time I left a few days later. 

Imprimatura: Venetian Red; the Pigments used the usual Rublev Blue Ridge Yellow Ochre, Italian Burnt Sienna & Lead White #2, with Winsor & Newton Venetian Red and Cobalt Blue.

Thursday, March 19, 2015

New Fallen Snow

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)

[Further Note: Remember that this is following on from my last posting which took place in December.]

C1579
"Ponderosa & Sagebrush beneath New Fallen Snow"
(Warner Mountains, Oregon High Desert)
Oil Sketch on Ampersand Gesso Panel
5" x 7"

SOLD

Just after I crawled into my sleeping bags, at 22:30 last night, a car went past on the road by my camp and up the mountain; where were they going at that time of night, and in the rain?!  I awoke at 01:30 … light rain … and again at 03:36 and snow, and by the time I arose and was out there were 3 or 4 inches of accumulation.  This was one of those mornings when I would use my loo seat (with legs), in a light snowfall … I did dig my hole beneath a Ponderosa Pine, but flakes nestled in on me nevertheless; I did not flinch.

At 08:30 a car came past and headed further up the mountain, and 45 minutes later came back down with a Christmas Tree strapped on top … did he poach it, since we are in a National Forest?  I wonder … I will never know.  Not another vehicle for the rest of the day.

I stayed put during the day and oil-sketched the snowy landscape.  The view in today’s sketch is slightly to the right of yesterday’s rainy scene, and continuing the Ponderosa grove to the right in that painting.  To those of us raised in the boreal forests of the Upper Great Lakes, it is always surprising to see a snowy desert landscape, but of course the High Desert is neither the Mojave nor the Sahara, and this scene is one of normality in the Pacific Northwest east of the Cascades; much more normal than a snowfall on the North Cornish Coast, where I experienced but one good one (and a couple tiddly ones) in the 23 years I resided there.  A pleasant day enjoying the snow, painting it, and strolling about looking at the various tracks that the passing animal citizenry had left during the night or morning.  The snow stopped for most of the day, save for a few flakes now and again.

No Imprimatura, just the white of the acrylic gesso priming on this sketch; the Pigments used the usual Rublev Blue Ridge Yellow Ochre, Italian Burnt Sienna & Lead White #2, with Winsor & Newton Venetian Red and Cobalt Blue.

Saturday, March 14, 2015

Camas Prairie Wind & Rain

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)

C1578
"December Rain over Camas Prairie"
(Oregon High Desert)
Oil Sketch on Ampersand Gesso Panel
5" x 7"


After observing some rather large Elk footprints on the road near my overnight camp, I left the little quarry pond and the Ring-necked Duck to themselves and headed for Lakeview, stopping occasionally to take photographs of Gearhart Mountain on the way.  It was December 10th by now, and I had been away for a while and was approaching the true open High Desert … but not just yet.  I needed to patronize the local Laundromat in Lakeview, and wash my mud stained clothes, and top up my supplies before the next, and more productive phase, painting-wise, of this foray into the Wild.  Lakeview … tallest town in Oregon … at 4796 feet above sea-level it is the highest town in Oregon; and a surprisingly pleasant little place it is, nestled below the Warner Mountains to the east.  Surprising, since it is unexpected way out here, just above Goose Lake and the extreme northeast California border and with Nevada also only a few miles away as well.  I did not expect it to be as large as it is.  I guess I also expected it to be a dusty poky little place … it is not.  Of course I’ve only been here in Winter, since I first passed through on Thanksgiving Day in 2012 on my way to Oklahoma; and now this time in December. 

The soap dispensing machine was out, and as I was steeling myself to have to buy and carry around a large bottle of soap from the local Safeway, a kindly elderly lady offered me the use of her soap bottle … very kind.  My Carhartt insulated jeans will need another washing or maybe two to get all the ingrained mud out, but at least they are clean enough for now (it actually took only one more washing).  After topping up my supplies and posting my annual membership dues to the AAA (American Automobile Association), I left town at 16:00 with cloud coming in from the southwest, after a lovely sunny day it had been thus far.  The rain and gales from the California coast were on their way, and this time I believed they would reach this far.  The rain had come in off and on since I had left the coast a couple of weeks before, and the wind had been threatening to come, but never had amounted to all that much, but it felt different this time. 

It was late in the day so I only went a few miles to just inside the National Forest boundary, and spent the rainy windy night there.  The next morning I found I had parked near a coyote kill or scavenged site (probably); only bones were left, gnawed and mostly in one spot, but with a few satellite remnants within fifty yards, or so.  This is why I believe it was the work of coyotes; I visualize one or more of a group dragging off a leg bone or other part to feed away from the main kill.  I will say I don’t know this for sure, but I file it away to compare with anything similar I may find in the future.  There was no skull to be found, but by the size of the bones, I believe it was either a young deer or possibly a calf … I found no hooves, so I did not have that bit of diagnostic to go by either … file it away, Spock.

It was still windy and rainy, so I only drove a few miles from the coyote (?) kill/scavenge site, across the valley and up into the Warner Mountains, and found a campsite overlooking Camas Prairie, from which arises Camas Creek.  Here I painted the above Oil Sketch, trying to capture the waterlogged day, over the Camas Prairie.  Evidently the weather is vicious down on the coast, 200 miles away, and once this Pacific Storm blows I look forward to getting out into the open High Desert, even though I find it pleasant here within the Ponderosa Pines.

Imprimatura was W&N Venetian Red, with the Pigments used the usual Rublev Blue Ridge Yellow Ochre, Italian Burnt Sienna & Lead White #2, with Winsor & Newton Venetian Red and Cobalt and Ultramarine Blues.

Thursday, March 12, 2015

Finally Painting again … Sycan Marsh

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)


C1577
"Overcast Day over Sycan Marsh … Yamsay Mountain lost in Cloud"
(Oregon High Desert)
Oil Sketch on Winsor & Newton Canvas Panel
5" x 7"


Imprimatura: W&N Venetian Red

Pigments used were Rublev Blue Ridge Yellow Ochre, Italian Burnt Sienna & Lead White #2, with Winsor & Newton Venetian Red and Cobalt and Ultramarine Blues.  There … tech stuff out of the way.

The morning of December 8th was spent within a three quarters of a mile of the incident, cleaning and maintaining my tools and my ancient pair of Sorel boots; these latter are decades old, and still good, since I’ve not had much occasion to use them having spent all those years in Cornwall, England, where the weather rarely gets below freezing.  I had lost a week’s painting, but there were other returns.  There was a certain pride in having faced a life threatening situation and had not been found wanting, and having had such an experience should serve me well in the future.  Many others have been tested and weathered similar as a matter of course, and others have failed, while many others have never had to face such a test and will never know.  In the weeks since, I have briefly related this story to a few acquaintances, with varying reactions.  I would have freaked, was one, which seemed to have been the general sentiment, especially by those who would never be out there at that time of the year; that is very understandable.  Since I choose to go into the wild places, I am glad to have had the experience, as I now know how I will likely react when unforeseen occurrences appear somewhere down the pike.  I too freaked during the initial moments of discovering I was stuck, and that I was going to lose 3 hours of a painting day while I gathered dead sage and fallen juniper branches to get myself unstuck.  But when I realized that the branches and sage had not worked, freaking out and annoyance was no longer an option, and cool reflection was the order of the day.  A relatively minor 3 hour annoyance can afford the luxury of the odd freak out, but when it becomes clear that the annoyance is larger, and a day or two (or seven), is what is necessary to retrieve the situation, the mindset must change to meet the new situation. 

And so after cleanup and lunch I proceeded a few miles down the road and decided on a Ponderosa grove, on NFD 27, overlooking Sycan Marsh for my campsite, still at about 5500’, and I would paint the view from here the next morning.  Many of these High Desert Marshes seem to be mostly grazing land, and are marshes in the Spring when the snow melts or in high precipitation years.  Perhaps there are areas of bog, but they are not what I grew up to think of as a marsh, back in the Midwest; I expect I would change my mind after a period of heavy precipitation; I’m still getting a handle on this varied High Desert landscape. 

It was generally overcast the next morning, even though the Moon had been out most of the night, and only the base of Yamsay Mountain, across the level of Sycan Marsh was visible below the cloud base.  I could see the odd patch of snow on its slopes.  Occasional rain blotted out the mountain and the far side of the Marsh a couple of times during the painting session, but the hoped for clearing never occurred, so I never was able to glimpse the contour of the top ... another time.  After painting I had a couple of hours of daylight left so I continued on towards Winter Ridge, to the east, hoping to reach the rim overlooking Summer Lake, but as the altitude there is at 7000’ I ran into snow on the road, and decided I would not risk that, even though there were tire tracks I might have followed; that’s what got me stuck on the flat.  The radio was talking about wind in the forecast, which could translate to more snow up at altitude, and as it was late afternoon now, I risked it not.  I was stopped by snow covered roads twice more, on NFD 29, attempting to get down to Summer Lake 3000’ lower, and then on NFD 28 just before Bald Butte, attempting to get down towards Lakeview.  In the end I retraced to NFD 30 which would take me down to Hwy 140, not far east of Beatty, and on to Lakeview, and a Launderette, the next morning.  That night I spent off of NFD 30, near a small quarry pond, with a lone female Ring-necked Duck in residence.

Last photo of the Road.  This is just before I attempted my final escape and before I had to extend it a bit to the left on the far bank (the left bank), and here on the left of the right bank (extreme left foreground) towards the viewer, after I reversed the truck onto this extreme left part of the turnaround, here seen in the foreground.  This is where I ended up prizing stones out from the right hand side of the turnaround and laying them over on the left towards the viewer, and also on the far bank.  This Saga is now over for this blog … thank goodness, I hear you cry.

Sunday, March 8, 2015

This is the End … my Friend!

[to paraphrase the Doors]

There was a frost overnight, although not a hard one, but enough to cover the puddles with skim-ice and the rocks and boulders all around covered with a thin layer of frost.  I was at work by 08:40 and within 45 minutes the skim-ice and frost on the rocks had melted away.  I worked mainly on the right-hand turn around, and it went well, partly because some of the rocks I humped back were good sized and flat, maybe 3 to 4 inches in thickness, and several were as much as a hundred pounds in weight, which meant more ground area was surfaced I good time.  By 13:10 I deemed that I might be more or less finished, so I had a bite to eat, and studied my proposed moves.  How good was my road building?  I would soon find out. 

At 13:50 I reversed straight back about 8 feet, which got me off the trackway part of my construction … that is those narrow portions that went from each respective front tire to their respective rear ones.  After inspecting the road, I pulled forward 3 feet and slightly to the right, got out and studied the situation.  I next reversed towards the right so that my left front tire went up onto the left bank as I made the turn, ending up onto the right hand bank, with my front tires on the main roadway … I was at the extreme end of my roadway, and near the edge of the paved area of the turning area on the right bank.  I now saw that my turnaround was probably not large enough.  Nevertheless I pulled forward onto the left-hand bank and reversed back onto the right-hand turnaround, and was now 90º to the road, but still within 3 feet from the extreme left edge of the turnaround.  If I were to pull forward across the road and onto the left hand bank there was not enough paved area on that left bank to allow me to reverse at the correct angle onto the right-hand turnaround that would allow me to come forward off of it and away the way I had originally come seven days ago.  Even though the turning circle of my SUV is tight and better than many small cars, I had been optimistic about it.  I had also torn up the paved banks since they were so much softer beneath my paving than the roadway itself.

After much deliberation, I realized that I would not be able to utilize the right-hand area of the turnaround as planned (that area closest to where my vehicle had been all these days), which would have allowed me to approach my getaway at a shallow angle to the main roadway itself.  I would have to do it from my present 90º angle.  But I would have to do some more road-building first.  The sun was well on its western path, and rain was on its way.  I needed to do what I had to do, and to do it in a timely manner.  I began to prize up the rocks I had laid on the right-hand side of the turnaround, many of which I had laid that morning, and move them behind my truck, onto the main roadway and also onto the left hand bank.  The bigger stones went behind the SUV, since I had to reverse at least 4½ feet, otherwise when I made my final move I would not be able to make the roadway, since I would have been too far up onto the left-hand bank, when making that final turn.  But the ground was saturated and muddy behind the truck so I had to build big. 

I saw that the sun would be setting soon, and I didn’t want to spend the night on the turnaround, as I worried that the weight of my vehicle, might cause even these big stones to sink down into the mud, or worse still, that it might slide into the mud if the weight caused it to slide in between the stones so that the tires were in the mud itself.  The moment of truth … 16:25 … the sun would set in a few minutes … I had no time to extend the paved area on the left-hand bank as much as I wanted to, but I hoped that once I was in low 4-wheel drive, and with a run of about 6 or 8 feet that I would be able to plow my front right tire through that soft left-hand (which by then would now be on my right), and onto the main roadway itself.  I gritted my teeth, reversed 4½ feet, went immediately into forward gear, and plowed down off the turnaround onto the main roadway (and immediately off my paved construction), the right-hand front tire indeed plowing itself through the soft left (now right) bank, straightened back out onto the main road-way, my rear tires now off my paved construction as well, and fish-tailed the 600 yards to the tree-line, and onto the duff covered part of the road under the trees!  A couple hundred yards further and I pulled off onto a wide spot, where I would camp the night.  That night I was sore and stiff in spots, mainly due to that last couple of hours of construction, once I realized I needed to do some extending.  Rain did come in overnight, but it ended by morning.  I wanted to walk back in the morning and see where the ruts on the banks were that my tires had incised while making my escape.  That was not to be … once out of the mud, I didn’t feel like slogging through hundreds of yards of it again; even if I may have learned something useful … I was tired of the mud.  I spent the next morning cleaning equipment, and finally changing into fresh clothing, and thought over my ordeal.

I have always been of the mind that if I got myself into a situation, it was up to me to get myself out of it, and this I was determined to do.  Once I realized that it would not be a 3 hour job, there was nothing for it but to keep at it until I succeeded or my food and water began to run low; that would have been another couple of weeks.  If I had to walk out of there it would have been costly to have got a tow-truck in there to retrieve me.  I carry tools, such as shovel, axe, bow-saw, machete, and my trusty poker, am always well supplied with food and water, but I’m no longer a young man, and it surprised me how I managed to carry all those stones, out of shape as I really am for such endeavor.  I didn’t get stiff or sore until the last couple of hours, and didn’t feel that until the morning after, once I was out.  I can only think that the fact of swimming 1250 meters once a week, had a hand in my success.  Rough calculations are that I had moved somewhere between 10 and 12 tons of rock, and walked about 15 miles, constructing that roadway, half of that distance carrying weights; not really that much or that far over 46 hours of actual labor, but considering that much time was spent finding, choosing and prizing out the rocks, it was a good weeks work.  I also didn’t think about it until I was safely out, but I had just done all that work at an altitude of 5500 feet … I never felt breathless in an altitude sort of way, but more as one would in the normal course of laboring … I guess slow and steady was the way to go.

But let’s not beat around the bush; I was in a dangerous situation.  People do get stranded out in the Oregon Wild, and they do die out there.  But the ones I can bring to mind, were not prepared with tools and supplies, and hadn’t thought about the what-ifs before heading out.  As I said at the beginning of this blog/journal … I have entered the food chain, whenever I leave the beaten track.  What about the possibility of a heart attack or a stroke out there by yourself, I’ve been asked?  As the Sioux chief said to Dustin Hoffman, back at the end of the 1971 film, Little Big Man, “Today is a good day to die.”  I cannot fault that; I’d rather it happened out there in the Wild, rather in a city parking lot!  Almost any day out in the Wild is a good day to die, especially since I’m out there doing what I need to do … studying the beauties of the Natural World through paint.  Valuable lessons were learned, not only about my own capabilities when in a tight spot, but also more about the High Desert in Winter, and the decisions that should take greater consideration before they are followed.  I should have turned around before I followed the road out onto the flat, even if I might have bogged down at that point; extraction would have been easier there than where I did get stuck. 

I have extended these Posts about the road building episode, over seven days; as long as the actual occurrence.  I wanted my readers to get some sort of feel as to the length of time that was actually involved, and to also get an idea what I’m prepared to experience in my exploration of the Wild with my paintbrush.  The next Post will resume with the next Oil Sketch done after I escaped the mud.  Oh and by the way … for you historians out there, I escaped the mud on Pearl Harbor Day … a day to remember in future, in more ways than one.

Saturday, March 7, 2015

The End is Nigh!

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)

Saturday … day 6, and I was up at 06:00, but as I stated at the end of the last Post, I reckon I only managed 6 - 6½ of sleep.  The ground is more saturated than ever, and silt is in many low spots of my road, but the heavy rains of last night doesn’t appear to have destabilized it, but out on the flat where my road materials dwell, it promises to be a heavy day.  All week I’ve been hoping for a two-day hard freeze, as that would have allowed me extract myself without all the road building, but other than the frosty morning I arrived upon, it has remained pretty much above freezing during the night.  And so it continues … 30% chance of rain by 10 AM, but it did not materialize, and the overnight winds are now a breeze.  Another day of great winter Sun light effects, and in the evening, a hot meal (3rd in a row), and a beautiful Moon to send me to sleep … but that is later.

I pause occasionally, and try to visualize the how the course of my 3-point (probably more like 12-point) turn will be.  I go over this again and again, and lay the stones accordingly … one after the other … out and back … out and back … stone, after stone, after stone.  But the end is nigh!  I can see it … perhaps mid-afternoon tomorrow, with inspection and tweaking thereafter, and out first thing, Monday morning.  Even though I might be in a position to attempt the move by late afternoon tomorrow, I can’t risk it then, in case of unforeseen problems arising, or downright failure … I need to have enough daylight hours, if such occurs, to be able to rectify the situation.  But that is tomorrow; today is stone, after stone, after stone … prized from the mud, gathered in little lithic flocks, and then herded to the sharp end of the spear, and emplaced with growing aplomb … stone, after stone, after stone.


The road is almost finished here and off picture to the right the turning space is being laid.  It extends 50 feet, or so, from in the front of the truck to this point.  The bulge onto the left-hand bank should allow me to do my “12-point” turn, when the time comes.