Aspens along the Forest Road

C1492

“Aspens along the Forest Road”

(San Juan Mountains, Colorado Rockies)

Oil Sketch on Ampersand Gesso Panel

4” x 6”

SOLD

The next day on the Sunday, October 6^th, 2013, I drove up to altitude to the Powderhorn Lakes Trailhead.  On the way back down I explored a couple of side roads and in the afternoon decided to have a go at the Aspens with paint.  The Aspens seem to be a bit yellower than the more orange Cottonwoods, and there were more brushes of an almost Spring-green on most of the trees.  This contrasted nicely with the grey-green of the sagebrush in the foreground, as well as the pines, mostly in shadow behind them.  A slightly warmer night last night, and warming up easily in the Sunlight, even though the temperatures would have felt chill in the dampness of say Cornwall in England, where I lived for many years, or west of the Cascade Range in Oregon, where I’ve resided for the past ten years.  It is so nice to experience a dry cold again like in my youth. 

Pigments used were: Yellow Ochre, Cadmium Yellow & Cadmium Yellow Pale, Venetian Red, Burnt Sienna, Cobalt Blue, a bit of Cerulean, a little Sap Green (Permanent), Cremnitz and Titanium Whites; all from Winsor & Newton except for the Sap Green which I believe was either M. Graham or Gamblin (sorry, but my colour box is out in my truck).

First Oil Sketch of the Journey

C1491

“Autumn Cottonwoods”

(San Juan Mountains, Colorado Rockies)

Oil Sketch on Ampersand Gesso Panel

4” x 6”

Click here to make this your Own

I left Oklahoma at 23:30 on September 29^th last year and headed for Salida, Colorado, via Tucumcari, New Mexico; for those Spaghetti Western buffs out there, Tucumcari is where Lee Van Cleef gets of the train at the beginning of, “For a Few Dollars More.”  Thus began my meandering route back to Oregon from Oklahoma where I had been staying with family for a while.  I then spent 4 lovely days in Salida, Colorado visiting old friends Dan & Lee, and Edgrrrrr the dog (Edgrrrrr actually has a grin when greeting one he likes … a bit toothie, but a grin nevertheless).  Dan & I graduated from High School together, back in Michigan’s Upper Peninsula and in another century (do you hear those creaking bones?).   This Oil Sketch was painted back on October 5th after leaving Salida.  The golds & russets of Autumn were stunning, especially when set against the deep forest greens of pine and fir covered slopes, as I made my way through intermittent snow-showers in the San Juan Mountains, and over the Monarch Pass, at somewhat over eleven thousand feet (if I remember correctly).  Later after passing through Gunnison and turning South on Hwy 149, I spotted a forest road leading to the Powderhorn Lakes Trailhead and setup my first camp some miles down that road.  A lovely clear night and the temperature dropped into the teens (Fahrenheit), but it was a dry cold and I remained toastie in my sleeping bags.  The next morning I painted this Oil sketch, the first of the Journey; the inaugural work for those to come.

Sometimes there is a fine line between a Sketch, and those deemed to be what I would call a Painting.  Usually it’s a matter of completeness, meaning good Design, or Composition, Value & Colour, and perhaps surface finish that causes a work to be considered a Painting.  Sometimes … many times … it is intent, as in this case; it almost becomes a Painting, and there are those who will consider it so to be, but for me the intent was a Sketch, and so it shall remain.

For those tech-heads out there, the pigments used were Yellow Ochre, Cadmium Yellow, Venetian Red, Cobalt Blue, a bit of Cerulean, Cremnitz and Titanium Whites; all from Winsor & Newton. 

Tomorrow I will post another Colorado Oil Sketch; it could be a couple of days or so.