Showing posts with label Washington Cascades. Show all posts
Showing posts with label Washington Cascades. Show all posts

Wednesday, April 28, 2021

Deep Shadows on Silver Falls.

“The Deep Shadows of Afternoon on Silver Falls”

(Mount Rainier National Park, Washington Cascades)

A Miniature Oil on Centurion Oil Primed Linen Panel

4” x 6”

 

Click here to make this your Own


The Brush Drawing

The Block-in

It's been too long since I last posted, but time has a way of getting away from you, when you're not looking. I see in my files that this post was begun in November and intended to be posted then, but ‘what the … hey?!’ It's going out now … finally!

This little Miniature was supposed to be entered into the Park lane MiniSmall 2020 Exhibition last Autumn, but I only got as far as the brush drawing on the panel (see above), before I realized I was going to have to frame and take the photos of the other works being entered, do the paperwork, and enter them on line. As it happens I pulled my first all-nighter, in many years, getting that accomplished. And that was well worth it, selling three during the show, and winning the Ampersand Landscape Award for fourth painting; the latter you already know. So after the Miniatures and Small Works were sent off to the Park lane Gallery, I finished up this one and , as stated, intended to post it here in November. I am offering this, at present unframed, Oil Miniature at a reduced price, from what it will be once it is framed and ready for future Miniature Shows. Once I frame it This reduced price ends and I will re-introduce it at a higher, but still reduced price. Once it starts going to the Miniature Shows, this offer will no longer be available.

But things moved off in a tangent. I spent part of November & December, having my annual check ups, with both my doctor and dentist (root canal … ouch! Not the physical pain, which was nothing, but the monetary pain), and getting equipment ready to drag a small utility trailer from some friends’ field, to store at my Sister's new mountain home in Colorado. She's dreamed of being there for much too long, and finally is there. I left Oregon on the 18th of December, and took six days to get there, staying off the Interstates and driving the small roads instead, avoiding the high passes in the mountains and driving sedately between 45 & 50 mph. We (The trailer & I), made it without incident. She and her husband will have the use of it, as long as it’s there.

While enjoying their wonderful views of the Sangres de Cristo Mountains, I worked on my accounts; did as much computer maintenance as I could, consolidating or eliminating files; photo-recon, and a lot of working on my those photos and older ones to put in my ‘reference photo folders,’ for future paintings. An old high school friend lives just 50 miles away from there as well, so I was finally able to visit him in spite of the bloody covid! So being side-tracked with all that, this post never got completed and posted … until now … ta daaaaa!

The fifth day after leaving that part of Colorado, I ended up at 8500' up in the Zuni Mountains of New Mexico. It was supposed to be an overnight camp, then because it was Good Friday, it behooves me to stay over the Easter weekend, thus avoiding traffic, and any crowds. Then I found a snowbank in a ravine, which supplied me with snow for my Yet I cooler, and water, after straining particulates out of it through my British Army Millbank bag, and the boiling it. I decided to remain as long as my supplies lasted, or the snowbank melted, thus allowing me to organize my gear more efficiently, do some paperwork, and get some painting done. That camp was almost The perfect campsite, half a mile off a main forest road, so I could hear the occasional vehicle, but nobody ever came down past my camp. The only downside is there was no cell connection, so I couldn't post this earlier. But it's been kind of refreshing having no connection, and thus no news (no car radio). That camp was closer to Grants, the second Zuni Mountains camp is closer to Gallup, and neither one had cell connection, and I haven't seen another soul for 26 days, until today … talk about your covid free environments!

These postings will be a bit more regular now that I'm sending my very slow way back to Oregon, painting all the way.

 



 

Thursday, November 5, 2020

Parklane Miniature & Small Works 2020 Exhibition Kicks off.

 The Parklane Gallery Miniature & Small Works 2020 Exhibition kicks off today (five days later than earlier stated), and I've sold two works on opening day. The following link will take you straight to my seven; four Miniatures & three Small Works:

See my works in the show here.


Click the above link to see them in the exhibition or to make one or more your own. I am also displaying them here as a reminder.


C1698

“Orange Moon Rising”

(Oregon High Desert)

 

Miniature Oil on Richeson Gesso Panel

Image: 3” x 5”

Outside Frame: 5.5” x 7.38”

$500

 

Camping and painting since April 1st in the Wild places of the Pacific Northwest, has allowed me to experience the rythms of Nature, among them cycles of the Moon. The atmosphere determines the colour of each rising; here a storm passed away to the east, and the Moon rose orange through the remnant vapours, as the sun set behind me.

 

*****

C1699

“The Long Shadows of Evening”

(Oregon High Desert)

 

Miniature Oil on Richeson Gesso Panel

Image: 3” x 5”

Outside Frame: 5” x 7”

$600

 

There are certain campsites that are not particularly spectacular of themselves, but which will reward you, if you keep an eye out through the hours of the day. This was one such place, where the rewards came in the various lightings of the landscape that occurred, such as here as afternoon showers give way to the long shadows of evening.

 

*****

C1700

 

“Early Morning Reverie”

(Reflection Lakes, Mt. Rainier NP, Washington Cascades)

 

Miniature Oil on Pannelli Telati fine Cotton Panel

Image: 4” x 6”

Outside Frame: 6.13” x 8.13”

$650

 

Breakfasting here in the pre-dawn, while awaiting for reflections to appear, gave way to a different experience of cloud and mist arising in the dawn light. And while watching the subtle light show a Grey Jay landed on my foot, stretched out upon a rock, and had a conversation with me.

 

*****

C1701

 

“Slot Canyon Afternoon”

(Mount Rainier NP, Washington Cascades)

 

Miniature Oil on Pannelli Telati fine Cotton Panel

Image: 4” x 6”

Outside Frame: 6.5” x 8.5”

Sold

 

Slot Canyon is reminiscent of a millrace, in its straightness, and width ... of course its depth is quite a bit more! Not only is this natural phenomenon highly accessible ( the road passes over it), but one may see Mount Adams to the south from here, and a stroll of a few yards to the north brings one to this great view of Mount Rainier.

 

*****

C1703

 

“Last Light on the Mountain & New Moon”

(Mount Rainier NP, Washington Cascades)

 

Small Oil on Pannelli Telati fine Cotton Panel

Image: 4” x 6”

Outside Frame: 5.5” x 7.5”

Sold

 

A wonderful evening stroll, up near Sunrise Visitors Center, brought me this wonderful experience ... worth getting back to camp after dark.

 

*****

C1659

“Voices of the Ancients ”

(Hovenweep National Monument, Utah)

 

Small Oil on Pannelli Telati fine Cotton Panel

Image: 5” x 7”

Outside Frame: 8” x 10”

$425

 

Hovenweep, is worth a visit, for the interesting set of 800 year old structures built by an outlying community of nearby Mesa Verde. The main unit features a two mile circular walk, with many interesting ruins.The keen, such as I, should visit every unit of the extended Monument.

 

*****

C1665

“Evening Gold in the Valley of the Gods”

(Utah)

 

Small Oil on Centurian Oil Primed Linen Panel

Image: 5” x 7”

Outside Frame: 8” x 10”

$350

 

One of several colourful sunsets experienced in the Valley of the Gods, Utah; on the horizon can be seen several of the monumental buttes at Monument Valley, 20 miles away in nearby Arizona.

*****

Enjoy!

Friday, October 23, 2020

All Seven Paintings accepted into the Parklane MiniSmall 2020 Exhibition.

My last post was three weeks ago, in which I mentioned framing Small and Miniature paintings. They were for the Parklane Gallery MiniSmall 2020 Exhibition up in Kirkland Washington, a satellite town or suburb (I don't know what they consider themselves as), of Seattle. At that point I had sorted frames for the seven paintings I was to submit, and temporarily placed them in their frames to photograph them for submission online. Normally with a Miniature Show, you send the originals in for submission, so they can be judged, but this is a Miniature & Small Works show, so, I guess that made it too difficult to accept the original Small Works. The problem I had was in the photography of the framed works, since the paintings were a bit washed out in colour, when including the frame. I ended up pulling an all-nighter, working on the images in Photoshop and getting them submitted before the deadline the next day, all the while hoping the images would be acceptable to the jury. Evidently they were, as all seven (the maximum allowed), were accepted into the Show, which kicks off on the 1st of November. Once they were accepted it took an inordinate amount of time to actually frame them and get them ready for shipping. Since then I've been working on another Miniature that I had intended to submit as well, but which remained at the drawing stage, by the time the submission deadline rolled around ... I cut it fine as it was. Thank goodness that no one else was camped at the picnic table site, even though it was hunting season, as I definitely needed that table for the framing!

 

In times past Parklane Gallery has held their exclusively Miniature show in the Spring, but that pesky virus has had an effect on just about everything. Thus the gallery combined the Miniatures with the Small Works show this year. They also reserve the right to change the category of a work, from Miniature to a Small Work, for example. So, you may find that the categories I have listed below have changed when viewing the exhibition.

 

The exhibition may be viewed online at: ParkLaneGallery.org

 

*****

 

Here follows the photographs of the framed works I submitted to the show.


C1698

“Orange Moon Rising”

(Oregon High Desert)

 

Miniature Oil on Richeson Gesso Panel

Image: 3” x 5”

Outside Frame: 5.5” x 7.38”

$500

 

Camping and painting since April 1st in the Wild places of the Pacific Northwest, has allowed me to experience the rythms of Nature, among them cycles of the Moon. The atmosphere determines the colour of each rising; here a storm passed away to the east, and the Moon rose orange through the remnant vapours, as the sun set behind me.

 

*****

C1699

“The Long Shadows of Evening”

(Oregon High Desert)

 

Miniature Oil on Richeson Gesso Panel

Image: 3” x 5”

Outside Frame: 5” x 7”

$600

 

There are certain campsites that are not particularly spectacular of themselves, but which will reward you, if you keep an eye out through the hours of the day. This was one such place, where the rewards came in the various lightings of the landscape that occurred, such as here as afternoon showers give way to the long shadows of evening.

 

*****


C1700

 

“Early Morning Reverie”

(Reflection Lakes, Mt. Rainier NP, Washington Cascades)

 

Miniature Oil on Pannelli Telati fine Cotton Panel

Image: 4” x 6”

Outside Frame: 6.13” x 8.13”

$650

 

Breakfasting here in the pre-dawn, while awaiting for reflections to appear, gave way to a different experience of cloud and mist arising in the dawn light. And while watching the subtle light show a Grey Jay landed on my foot, stretched out upon a rock, and had a conversation with me.

 

*****


C1701

 

“Slot Canyon Afternoon”

(Mount Rainier NP, Washington Cascades)

 

Miniature Oil on Pannelli Telati fine Cotton Panel

Image: 4” x 6”

Outside Frame: 6.5” x 8.5”

$700

 

Slot Canyon is reminiscent of a millrace, in its straightness, and width ... of course its depth is quite a bit more! Not only is this natural phenomenon highly accessible ( the road passes over it), but one may see Mount Adams to the south from here, and a stroll of a few yards to the north brings one to this great view of Mount Rainier.

 

*****


C1703

 

“Last Light on the Mountain & New Moon”

(Mount Rainier NP, Washington Cascades)

 

Small Oil on Pannelli Telati fine Cotton Panel

Image: 4” x 6”

Outside Frame: 5.5” x 7.5”

$500

 

A wonderful evening stroll, up near Sunrise Visitors Center, brought me this wonderful experience ... worth getting back to camp after dark.


*****



 

C1659

“Voices of the Ancients ”

(Hovenweep National Monument, Utah)

 

Small Oil on Pannelli Telati fine Cotton Panel

Image: 5” x 7”

Outside Frame: 8” x 10”

$425


Hovenweep, is worth a visit, for the interesting set of 800 year old structures built by an outlying community of nearby Mesa Verde. The main unit features a two mile circular walk, with many interesting ruins.The keen, such as I, should visit every unit of the extended Monument.

 

*****


C1665

“Evening Gold in the Valley of the Gods”

(Utah)

 

Small Oil on Centurian Oil Primed Linen Panel

Image: 5” x 7”

Outside Frame: 8” x 10”

$350

 

One of several colourful sunsets experienced in the Valley of the Gods, Utah; on the horizon can be seen several of the monumental buttes at Monument Valley, 20 miles away in nearby Arizona.

*****

Regular readers will have seen the last two before, but before framing. They were presented in this blog back in 2018 on my year long journey from Minnesota to Oregon through the Southwest. Evening Gold is signed with my monogram rather than my “S.T.Johanneson” signature.

Again, the exhibition may be viewed online at:  ParkLaneGallery.org

Sunday, January 31, 2016

Where Are I?

I know it has been two months since my last posting, but there was a lot of paperwork to be done after my dear old Mom died … and now there are the annual accounts to prepare, as well.  There is also the matter the commissions I have been working for the past 13 months, throughout it all, and on which I have a concentrated few weeks left to finish them off.  Therefore, I beg your forbearance, and will reappear in the next posting when those are completed.  After that I will be preparing to get back out into the wild to paint and begin posting them here.  Meanwhile, I will leave you with a page from one of my sketchbooks, done several years ago in the Gifford Pinchot National Forest, on the Washington side of the Columbia Gorge.  Ta ta, for now ...

“Lower Lewis Falls”
(Gifford Pinchot National Forest, Washington Cascades)

From an Original Sketchbook Drawing in Sepia Wash
heightened with White & Naples Yellow on Turner’s Blue Paper
(sketchbook page size approx. 5” x 7”)

There is also a Middle & Upper Lewis Falls, both of which I saw as well, before I came back to this site and drew this scene.  It was 18:21 when I began this sketch and had to work rapidly before the light faded.  I downed tools at 20:07.  On a brighter day I might have worked longer, but it had gradually clouded over throughout the afternoon.