Friday, October 23, 2020

All Seven Paintings accepted into the Parklane MiniSmall 2020 Exhibition.

My last post was three weeks ago, in which I mentioned framing Small and Miniature paintings. They were for the Parklane Gallery MiniSmall 2020 Exhibition up in Kirkland Washington, a satellite town or suburb (I don't know what they consider themselves as), of Seattle. At that point I had sorted frames for the seven paintings I was to submit, and temporarily placed them in their frames to photograph them for submission online. Normally with a Miniature Show, you send the originals in for submission, so they can be judged, but this is a Miniature & Small Works show, so, I guess that made it too difficult to accept the original Small Works. The problem I had was in the photography of the framed works, since the paintings were a bit washed out in colour, when including the frame. I ended up pulling an all-nighter, working on the images in Photoshop and getting them submitted before the deadline the next day, all the while hoping the images would be acceptable to the jury. Evidently they were, as all seven (the maximum allowed), were accepted into the Show, which kicks off on the 1st of November. Once they were accepted it took an inordinate amount of time to actually frame them and get them ready for shipping. Since then I've been working on another Miniature that I had intended to submit as well, but which remained at the drawing stage, by the time the submission deadline rolled around ... I cut it fine as it was. Thank goodness that no one else was camped at the picnic table site, even though it was hunting season, as I definitely needed that table for the framing!

 

In times past Parklane Gallery has held their exclusively Miniature show in the Spring, but that pesky virus has had an effect on just about everything. Thus the gallery combined the Miniatures with the Small Works show this year. They also reserve the right to change the category of a work, from Miniature to a Small Work, for example. So, you may find that the categories I have listed below have changed when viewing the exhibition.

 

The exhibition may be viewed online at: ParkLaneGallery.org

 

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Here follows the photographs of the framed works I submitted to the show.


C1698

“Orange Moon Rising”

(Oregon High Desert)

 

Miniature Oil on Richeson Gesso Panel

Image: 3” x 5”

Outside Frame: 5.5” x 7.38”

$500

 

Camping and painting since April 1st in the Wild places of the Pacific Northwest, has allowed me to experience the rythms of Nature, among them cycles of the Moon. The atmosphere determines the colour of each rising; here a storm passed away to the east, and the Moon rose orange through the remnant vapours, as the sun set behind me.

 

*****

C1699

“The Long Shadows of Evening”

(Oregon High Desert)

 

Miniature Oil on Richeson Gesso Panel

Image: 3” x 5”

Outside Frame: 5” x 7”

$600

 

There are certain campsites that are not particularly spectacular of themselves, but which will reward you, if you keep an eye out through the hours of the day. This was one such place, where the rewards came in the various lightings of the landscape that occurred, such as here as afternoon showers give way to the long shadows of evening.

 

*****


C1700

 

“Early Morning Reverie”

(Reflection Lakes, Mt. Rainier NP, Washington Cascades)

 

Miniature Oil on Pannelli Telati fine Cotton Panel

Image: 4” x 6”

Outside Frame: 6.13” x 8.13”

$650

 

Breakfasting here in the pre-dawn, while awaiting for reflections to appear, gave way to a different experience of cloud and mist arising in the dawn light. And while watching the subtle light show a Grey Jay landed on my foot, stretched out upon a rock, and had a conversation with me.

 

*****


C1701

 

“Slot Canyon Afternoon”

(Mount Rainier NP, Washington Cascades)

 

Miniature Oil on Pannelli Telati fine Cotton Panel

Image: 4” x 6”

Outside Frame: 6.5” x 8.5”

$700

 

Slot Canyon is reminiscent of a millrace, in its straightness, and width ... of course its depth is quite a bit more! Not only is this natural phenomenon highly accessible ( the road passes over it), but one may see Mount Adams to the south from here, and a stroll of a few yards to the north brings one to this great view of Mount Rainier.

 

*****


C1703

 

“Last Light on the Mountain & New Moon”

(Mount Rainier NP, Washington Cascades)

 

Small Oil on Pannelli Telati fine Cotton Panel

Image: 4” x 6”

Outside Frame: 5.5” x 7.5”

$500

 

A wonderful evening stroll, up near Sunrise Visitors Center, brought me this wonderful experience ... worth getting back to camp after dark.


*****



 

C1659

“Voices of the Ancients ”

(Hovenweep National Monument, Utah)

 

Small Oil on Pannelli Telati fine Cotton Panel

Image: 5” x 7”

Outside Frame: 8” x 10”

$425


Hovenweep, is worth a visit, for the interesting set of 800 year old structures built by an outlying community of nearby Mesa Verde. The main unit features a two mile circular walk, with many interesting ruins.The keen, such as I, should visit every unit of the extended Monument.

 

*****


C1665

“Evening Gold in the Valley of the Gods”

(Utah)

 

Small Oil on Centurian Oil Primed Linen Panel

Image: 5” x 7”

Outside Frame: 8” x 10”

$350

 

One of several colourful sunsets experienced in the Valley of the Gods, Utah; on the horizon can be seen several of the monumental buttes at Monument Valley, 20 miles away in nearby Arizona.

*****

Regular readers will have seen the last two before, but before framing. They were presented in this blog back in 2018 on my year long journey from Minnesota to Oregon through the Southwest. Evening Gold is signed with my monogram rather than my “S.T.Johanneson” signature.

Again, the exhibition may be viewed online at:  ParkLaneGallery.org

Saturday, October 3, 2020

Miniature Watercolour “Late Afternoon Light at Delicate Arch” receives Award.

 


C1673

“Late Afternoon Light at Delicate Arch”

(Arches National Park, Utah)

 

Watercolour on 140-lb., Hot-pressed,

Saunders Waterford Watercolour Paper

2-1/8” x 3-5/16”

My Miniature Watercolour “Late Afternoon Light at Delicate Arch” (Arches National Park, Utah), has received a second place award in the Landscape category, at this year's Show of the Miniature Painters Sculptors and Gravers Society of Washington DC. The exhibition begins on November 22, 2020, and will be online, with all works for sale; currently only the award winners are on their website, which is: www.mpsgs.org. This is an international exhibition.

 

Delicate Arch is one of the finer arches in the National Park, if not the finest and is very popular, in spite of the strenuous, uphill and lengthy hike to get there. I went up there twice, a month apart, and both around the full Moon. The first time was in November and was cold and windy, while the following month, in December, the weather was warm and calm. That second time I strolled all the way down the hill in the Moonlight, never turning my headlamp on once; it was magical. A distant view of Delicate Arch can also be seen from the end of an access road, and a short walk to the viewpoint. It is not a spectacular view, but at least you can say you've seen it, if you're not up to the other hike. From up by the Devil's Garden, I have spotted it way down below across the Salt Valley ... binoculars were needed to confirm it.

 

Those of you with long memories, will no doubt recall that it was the MPSGS Exhibition, back in 2008, to which I submitted my very first Miniature Watercolour and received the first place in the Landscape category. So remember to go visit the Miniature Exhibition on the 22nd of November. Of course all you historians out there will have no trouble remembering this date as it was also the completion of the encirclement of the German Wehrmacht's 6th Army at Stalingrad, by Soviet forces in 1942, during the Second World War ... spooky;)

 

*****

 

My last posting on September 17th, which featured my Watercolour of Sandymouth in Cornwall, was posted, while I was in Bend, Oregon for supplies ... a horrendously smokey day. The funny thing was that as I made my way back to camp, in the dusk, it was still very smokey within a few miles of camp. After that I couldn't tell how bad it might be as it was getting quite dark by then. In the morning it had been about a third what it was in Bend ... still bad. Anyway, by the time I had rearranged the truck for bed, and had a cup of hot chocolate, the stars were shining brightly, and for the first time in a long while, quite low down towards the horizon. Since then, over two weeks ago now, there has been very little smoke at my campsite ... more clear days than those with a little smoke.

 

I moved camp back to where I was in April ... the one with the rough-hewn picnic table ... and last night (October 1st), was absolutely magical! T'was a full Moon, and, after some chill nights, the temperature was warm enough to sit with the car door open, and with my sleeves rolled up above my elbow, until I turned in at 10:30 pm. Crazily enough, no moths came to bother me ... will wonders never cease?

 

*****

 

During the Summer at this picnic table campsite, some campers have had a go at beginning to civilize the resident Chipmunks. I was at the table sorting out some Miniature Oils with their frames, for a Miniature & Small Works show up in the Seattle area, when a Chipmunk came bouncing up onto the table, bold as you please, and without a ‘by your leave,’ I might add. I saw him off in short order, but he and a couple others kept coming back ... no doubt they've been given handouts. So far they've not tried to i lnvade the truck, as I've been leaving the doors open during these warm days of Indian Summer. There is also a Nuthatch flitting about, taking an inordinate interest in the truck as well ... can't quite figure that one out.

 

*****

 

I heard coyotes yipping, two nights back for the first time all Summer.

 

*****

 

This morning I have been filtering my melted ice water, in preparation for going to town for supplies, and to post this to my blog. There is always a bit of spillage in setting up the filtering process. While having breakfast I noticed 3 chipmunks clustering around the nud formed by the small spillage, and realized they were extracting moisture from that mud. I wonder if they do that after a brief rain shower, too small to leave any puddles?

 

*****

 

Once I reached La Pine today I noticed Aspen leaves changing to gold. Eight days ago, when in Bend, I noticed none. Autumn is showing herself more obviously than back in August. Nice to see the Aspens, as where I'm camped are only Ponderosas; of course there's Bitterbrush,  but they are not very showy.