Saturday, October 17, 2015

Into the Light at the Devil’s Elbow

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)

C1604
"Into the Light at the Devil’s Elbow"
(Oregon Coast)
Oil on Canvas Panel

5" x 7"


Note: This work will be for sale via this blog for a few days only, as I will be framing it and taking it off to one of my Galleries the  next week or the week after.

After painting the Oil Sketch in the previous entry and then a bite to eat, I followed the now receding tide, and, at the same end of the beach as the morning’s sketch, I set up on a flattish rock to paint into the light.  It was later than I wished, but I pressed on, nevertheless, and began to fight the wind, and the glare off the water.  My wonderful sketching umbrella blew inside out more than once, so I closed it down, and persevered; it’s a tough umbrella and none the worse for its ordeal and I learned that there is a point where there is too much wind for it; working without it made it more difficult in the glare of the Sun.  I had more than one person taking photos of me as I worked, and thanks to a chap who kindly emailed me his shots I include some below … many thanks. 

Note: The following photographs are the copyright of M. Palmer ©2015.





You can work out my sketching outfit from these photos, and can also see that it is early in the work.  The imprimatura is evident, in the lower half of the painting, as is the drawing or block-in, and I am currently laying in the sky.  My waste bag is attached to the tripod below my sketch box.  I normally have a very small brush cleaning tin (complete with a screen and lid) hung off the tripod, as well, but with the windy conditions I either had it on the barnacles near my right foot, or did not use it at all; it normally contains safflower oil for the cleaning purposes.  I did what I could until fed up with the wind and the glare, and did about an hour of finishing off once I was back in the studio.

Imprimatura: Venetian Red.

Drawing: French Ultramarine.

The Pigments used were:  Rublev Blue Ridge Yellow Ochre, Italian Burnt Sienna, with Winsor & Newton Cerulean, Cobalt & French Ultramarine Blues, Venetian Red, and Cremnitz & Titanium Whites.

Friday, October 16, 2015

Rising Tide at the Devil’s Elbow

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)

C1603
"Rising Tide at the Devil’s Elbow … Looking South"
(Oregon Coast)
Oil on Centurian Oil Primed Linen Panel
with additional Coat of Rublev Lead Ground
4" x 6"


I walked up to the old lighthouse keeper’s residence, with a view to scramble down to the rocks below and paint there, as I did several years ago, but the trail down has been blocked off to aid erosion control, and when I returned to the beach to attempt to approach the rocks from below, the tide was too far in for me to do so, and had some hours yet to rise.  Thus a later start than I had hoped for.  The breeze began to rise as well, but not as bad as for the 2nd painting of the day, later that afternoon, to be published tomorrow.  But I liked this view looking south at the Devil’s Elbow State Park (below Heceta Head Light) … that pesky Devil has a lot of real estate here in Oregon; his Elbow here; his Backbone up on the rim of Crater Lake; he’s got a Kitchen down south of Bandon; A Punchbowl here … a Cauldron over there … a Churn somewhere else … that boy’s got body parts and implements all over Oregon … must like it here.

Note:  This work will be for sale via this blog for a few days only, as I will be framing it and taking it off to one of my Galleries the week after next.

Imprimatura: Venetian Red.

Drawing: French Ultramarine.

The Pigments used were:  Rublev Blue Ridge Yellow Ochre, Italian Burnt Sienna, with Winsor & Newton Cerulean, Cobalt & French Ultramarine Blues, Venetian Red, and Cremnitz & Titanium Whites.

Thursday, October 15, 2015

A Memoriam

I’m back in Oregon from Oklahoma after some days helping my sister Jill sort out Mom’s little apartment; my other sister Jan and my brother Doug had already been down from the Twin Cities for over a couple of weeks … we overlapped for six days during which we all were sorting.  It was in some ways an act of frustration in that we were being constantly tantalized by old photos, letters and family memorabilia, with no real time to delve into deeply, if at all.  When I say family memorabilia, I mean there were photo albums that go back to my grandparent’s time before Mom was born.  I may have seen some of these before, but probably not since I was a wee lad … I have vague recollections of seeing some of those photos … way back when … 

Memories … and histories … we all have memories of old times … old friends … and of those who have gone on before … and old photos and memorabilia (objects, writings etc.) provide foci that jog those memories.  For example, I came across a 5 year diary that Mom must have been given on her 14th Christmas, 1938, as she began to fill it in on the 1st of January, 1939, and she was religious about writing each day’s allotted paragraph for the next 20½ months until the second day after her birthday, 1940.  There was no indication why she did not continue after that.  I had no time to delve into it, other than to see if an almost 15 year old American girl might have anything to say about the world events at the beginning of September 1939 … on the 2cn of September she says, “War in Europe!”, and on September 4th, “England declares war on Germany!”  It was not yet the obvious that Hitler’s invasion of Poland the day before on September 1st was beginning of hostilities that would become the Second World War, especially to a young Mid-Western schoolgirl.  A later diary when in college, would deal with the times a little more, but not in a world historical sense, but more on a social sense, in that persons are mentioned as in the armed forces, and where they might or might not be, and whose boy friend or fiancé they were.  Her future husband (our Dad), had joined the Marine Corps at the beginning of 1945, and I she mentions being given a Marine Corps “globe and anchor” pin on his first leave home; “… and his hair is so short!”  Later in our sorting I found a picture of that short hair, and I found the “globe and anchor” pin, the latter which I now have … memorabilia. 

When not sorting, Jill & Jan worked on a slide show of photos of Mom to place on one of those digital photo frames, and to be displayed at Mom’s Memorial Service at her church on Sunday the 20th September.  These were from throughout her life, and brought back many memories of parts of her life that we had shared, and many from before our existence.  The church was loaded with people on that Sunday afternoon, as many came out to remember our Mother … she made friends easily and wherever she went … you have no idea … for most of her life she belonged to the old Swedish Baptist Church (later to be reorganized as the Baptist General Conference … I suppose when they realized that many of their members were not Swedish), and she seemed to know everyone in it … all 100,000-plus of them spread throughout the land!  She was the fount of knowledge of where so many old acquaintances were, whether they were still alive, who might know if she did not (she remained in touch with so many people), that I fear we probably have lost more than just Mom with her passing.

She was born in Alcester, South Dakota, the granddaughter and great granddaughter of immigrants from Sweden … somewhere back there a Norwegian contingent appears as well, but as I write this I am not exactly sure of the details.  Be that as it may, I know that myself and my siblings are ⅞ths Swedish and ⅛th Norwegian … true Vikings one and all (all Swedish on our Father’s side).  I read “Giants in the Earth” by Ole Edvart Rølvåg (Rolvaag), in ninth or tenth grade in school, which is about Norwegian immigrants settling in the Dakotas, living in sod houses, and working the soil.  At present I am also reading the 4 volume set, “The Emigrants” by Vilhelm Moberg, which concerns Swedish immigrants settling at Lake Ki-Chi-Saga (later Lake Chisago), near Taylor’s Falls, and Stillwater in Minnesota Territory in 1850; it took them roughly 16 weeks to  make the journey (all familiar places to me … my carburetor froze up at -38ºF just between Lake Chicago and Lindstrom MN, at 04:30 one morning, and the local baker offered me a place to warm up, but I cleared the slushy snow-like condensation from the carburetor and managed to continue my journey, stopping occasionally to re-clear the slush).  The film of “The Emigrants,” starring Max von Sydow and & Liv Ullmann, was released in 1971; I did not see it since I had no money for anything extra that 2nd Summer in England … I lived on £1.50/week for food at the time.   Those are our people … both our Swedish and Norwegian forbears.  Olav Anderson, Mom’s Great Grandfather, brought his family (her Father was 10 years old at the time) over from Mogetorp, Sweden, to Lawrence, Kansas, in 1869.  In the nineteen years between those in the novel and our very real ancestors, times had changed so much so that it took only 3 weeks for our people to travel from their former home in Sweden to Lawrence, Kansas! 

They remained in Lawrence for four years, before taking a homestead outside of Alcester, SD, in 1873.  It is interesting to think that they arrived in Kansas just four years after the Civil War, and when they moved to the southeastern corner of South Dakota (not far from both the Iowa and Minnesota borders), three more years would pass by before Custer and the greater part of the 7th Cavalry were rubbed out by the Sioux and Cheyenne at the Little Bighorn in Montana; the James Gang (who’s stamping ground was only 40 or so miles east of Lawrence, Kansas), had not yet come to grief in their abortive raid on the Banks in Northfield, Minnesota; Billy the Kid was only 13 or so when Olav Anderson and Co. arrived in Alcester, and had another 8 years to live before meeting his end at Old Fort Sumter, New Mexico, from the bullets of Sheriff Pat Garrett (what can I say ... I like Westerns); and 51 years after arriving in the Alcester area, Olav’s descendent, our Mom, was born.

Her Father died just a couple weeks after her second birthday.  She had a memory or two of him, one of her doing a somersault for him, and she cherished these all her life.  Her older sister and she were then raised by their Mother.  Although they eventually left Alcester when Mom was 8, when her Mother’s work took them to Elk Point SD, she had many fond memories of that ‘little town on the Prairie, just 8 blocks by 8 blocks in size” (it still appears about that size on Google Earth) … childhood friends (Cyril, Bonnie Jean & Spuddy) … 3rd grade teacher, Miss Sogn … Saturday Night in Alcester when the town band played (her father had been in it), and many more memories.  They eventually lived in Muskegon MI, Chicago IL and Minneapolis MN, by the time Mom began her college days and eventually meeting our Father.  Her most happy and contented time of her life (and mine) was when we lived in the woods, 3 miles outside of Lake Nebagamon, Wisconsin (and where I attended my first three grades of school).  Money was scarce, but she had everything she wanted, a young and growing family, a perfectly good roof over our heads, friends and “a lovely view of the birch wood through the kitchen window when doing the dishes.”  She was always interested in whatever was going on in the lives of her children, in the life of her church, what her many friends and acquaintances might be experiencing, and so on and so on.  She visited me 3 times during my years in England … never thought she would ever be able to go abroad when she was growing up … and the last time she came to Oregon, was so thrilled to spend two full days pottering about at Crater Lake … and at age 86 at that time.  

I could go on, but I think you get the picture.  Her life was full, and busy and full of memories … she was busy in her church activities (she was getting ready to go to one of her church groups, when she had her fainting spell) … and she still drove her own car (I was not nervous as her passenger two years ago) … and we had (and have) our memories at her Memorial.  And sometime in the Spring or early Summer we will go to the little cemetery on the gentle slope in the northwest part of the little prairie town of Alcester, and place her ashes beside her parents, and listen to the breeze rustling through the prairie grasses, and to the songs of the prairie birds as they welcome one who has been long away.

Sunday, October 11, 2015

On the Beach below Heceta Head Light

(Take Note: for those of you who have signed up to be notified by email of new postings to this blog, you have been receiving not just a notification, but an actual copy of the new blog posting as the email.  As this does not show the images of the paintings in the best possible light, you should click on the title of the latest blog posting at the top of the post, and not the title of the painting itself; this will open up the actual blog itself, and you may then enjoy the paintings at their best.)

C1601
"Receding Tide at the Devil’s Elbow"
(Oregon Coast)
Oil on Centurian Oil Primed Linen Panel
with additional Coat of Rublev Lead Ground
4" x 6"


Getting back to my time at Heceta Head Light, I painted the above Oil Sketch from the south end of the beach at the Devil’s Elbow State Park, and looking towards Heceta Head Lighthouse which lurks behind the most seaward screen of trees.  I’m always intrigued that one parks the car and potters about on the beach at the Devil’s Elbow State Park, but the reason one is really there is for the views of, and the walk up to the lighthouse itself; it makes it confusing when deciding on how to entitle any sketch or painting done hereabouts, for the natural choice is the name of the lighthouse itself, somewhere in the title … as that is mostly why you’re here, or are drawn to the paining … but without then making the title too long.  I, of course, many times do not let a short title stand in the way, when a longer title is available … thank, the great JMW Turner for those proclivities of mine.  But I digress.  T’was a breezy day, but I managed with not too much difficulty to finish the work, save for the gulls which I stuck in later.  I have not managed to get this far out at low tide here before, as usually the state of the tide has not allowed it in the many times I have stopped here in the past.  Had I not been busy working on this I could have got much further out before the tide began to flow back in; that would have been for photos only, as I keep a healthy eye on the states of the tides, when working next the sea … my 23 years in Cornwall, England taught me thus.

Note:  This work will be for sale via this blog for a few days only, as I will be framing it and taking it off to one of my Galleries the week after next.

Imprimatura: Venetian Red.

Drawing: French Ultramarine.

The Pigments used were:  Rublev Blue Ridge Yellow Ochre, Italian Burnt Sienna, with Winsor & Newton Cerulean, Cobalt & French Ultramarine Blues, Venetian Red, and Cremnitz & Titanium Whites.