C1552
“Sand Dunes
& Shore Pines”
(Lost
Lake ACEC, Oregon Coast)
Oil Sketch on Centurion Oil Primed Linen Panel
with an additional Priming Coat of Rublev Lead White in Oil
5” x 7”
After spending two
afternoons on the previous painting, “Evening Light on Lost Lake,” I went back
to the Lost Lake ACEC, and went on past the lake and came out onto the sand
dunes and found myself still out of sight of the sea. I was taken by this vista and found a vantage
point tucked in under the edge of a wood of Shore Pines, out of the main force
of the wind, but not as sheltered as at Lost Lake itself; I ended the day of
painting a bit shivery with the chill north wind. Shore Pines are, evidently, a type of Lodgepole
Pine, found throughout the West; the latter being used for tepees of
course.
Again I used the bristle
brush, and you can see the character of its use by studying the brushwork in
the sky; more evident than in the previous two paintings. Here you can really see the affect of the Venetian
Red imprimatura on the blue sky towards
the horizon, how it warms that part. If
you look close you can see the texture of the strokes, and gives an excitement
to the sky other than would be achieved by a smooth gradation; at a sufficient
viewing distance, the eye will blend these strokes and smooth out this texture …
this is called optical blending. But that is not really the point, since as a
small work you will be looking at it more closely, and the stokes and texture
will be more interesting than that if you back away at some point it will be a
smoother gradation. I used the same
bristle brush again throughout … I had thought to use a smaller brush later,
but it was not necessary.
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