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Tuesday, July 9, 2019

Ponderosa Evening.

C1684
“Ponderosa Evening”
(Oregon High Desert)
Oil on Pannelli Telati Canvas  Panel
9” x 12”



The 4th of July was a quite magical day for me, perched as I was, high on the slopes of a mountainside south of Lake Timothy, Oregon Cascades, at 4400’ above sea level, and not a soul to disturb me the entire four days I was there. What made it magical was, that instead of fireworks, I had butterflies … all day … dozens of them flitting all about, and through my car, from one open door and out another, and setting about upon the car itself, sometimes a dozen, or more, on my door frame.  Pure magic!  And they were there the following two days as well, as soon as the Sun warmed them enough to come out from wherever they spent their nights … no doubt in some salubrious Butterfly Pub hidden from human eyes within the forest deeps. One even peed on me! I never knew they did that, having never witnessed that before. But as one was sitting on my sun visor, I happened to see it vibrate a bit and exude a fine spray of droplets onto my knee below. It soon evaporated to nothing. Not gross … a butterfly peeing on me is really the least of my worries. They seem to be mostly a type of Tortoiseshell and a few Painted Ladies … and there were Hummingbirds too!


There is less wildlife in evidence here in the deep forests of the Cascades, comparatively speaking to that which I observed out on the edge of the Ponderosa Pine Forests of the High Desert … I was out there again at the end of May and the first three weeks of June. One of the new dispersed campsites I found had as many as six or eight chipmunks in view at any one time, on occasion. Of course upon observing them with my book of North American Mammals in hand, I discovered that they were not all chipmunks. Some were Golden Mantled Ground Squirrels, which resemble a larger chipmunk, but have only two dark stripes on its back.  There was also another plainer ground squirrel, I did not identify. But the last few days there was only one chipmunk at a time, perhaps the same one, and a pair of Douglas Squirrels. A few Chickadees, a Raven and a couple of other birds (Varied Thrushes I think), were all I saw, again unlike out in the Ponderosas where I spotted many new ones, and there was always something flitting about. But it was good to be up there, these recent days, with the Rhododendrons in their prime as well as the Beargrass. In May out in the High Desert, the sagebrush was in its lovely silvery, with a hint of yellow, Spring greens, and the Antelope Bitterbrush (a type of Cliff Rose), was in bloom, as though a mist of Primrose Yellow coated the landscape (European Primroses, as I am not really familiar with the North American kind).

Beargrass

Close up

Edge of the Clearing where I was camped.




 
Antelope Bitterbrush


Closer ...

... Closer Still.

Pigments used in the painting:

Imprimatura: Rublev Italian Burnt Sienna;

Drawing: Rublev Italian Burnt Sienna;

Pigments: W&N Cobalt and Ultramarine Deep Blues, Cadmiums Orange & Yellow Pale;

Rublev: Blue Ridge Yellow Ochre, French Red Ochre, Italian Burnt Sienna, Lead White #1;

Schmincke: Caput Mortuum;

M. Graham: Cobalt Teal;

Michael Harding: Stack Lead White.

Thursday, July 4, 2019

Evening Surf

C1683
“Evening Surf”
(Bandon, Oregon)
Oil on Pannelli Telati Canvas  Panel
6” x 8”



Close up of the Painting.

Angled view showing the Red Oxide
on the edge of the floated panel
and lip of the frame.

This painting is being listed for sale through the Daily Paintworks site for one week only as if it remains unsold by the end of the auction, it will be going into a Gallery.  I am also offering it for sale as a framed piece. The painting is floated in its frame so as not to lose any part of it beneath the rabbet of the frame. Once it is floated onto its backing, there is no turning back and it must be sold framed.  I usually frame in a dark frame, as it brings out the colours in the work and makes them sing.

Pigments used in the painting:

Imprimatura: Rublev Italian Burnt Sienna;

Drawing: Rublev Italian Burnt Sienna;

Pigments: W&N Cobalt and Ultramarine Deep Blues, Cadmiums Orange & Yellow Pale, Permanent Rose;

Rublev: Blue Ridge Yellow Ochre, Lead White #1;

Schmincke: Caput Mortuum;

M. Graham: Cobalt Teal;

Michael Harding: Stack Lead White.

Tuesday, July 2, 2019

Misty Midnight Ride

C1681
“Misty Midnight Ride”
(Bandon, Oregon)
Oil on Pannelli Telati Canvas  Panel
6” x 8”



Close up of the Painting.

Angled view showing the Red Oxide
on the edge of the floated panel
and lip of the frame.

This painting is being listed for sale through the Daily Paintworks site for one week only as if it remains unsold by the end of the auction, it will be going into a Gallery.  I am also offering it for sale as a framed piece. The painting is floated in its frame so as not to lose any part of it beneath the rabbet of the frame. Once it is floated onto its backing, there is no turning back and it must be sold framed.  I usually frame in a dark frame, as it brings out the colours in the work and makes them sing.

Pigments used in the painting:

Imprimatura: Rublev Italian Burnt Sienna;

Drawing: Rublev Italian Burnt Sienna;

Pigments: W&N Cobalt and Ultramarine Deep Blues, Cadmium Orange;

Rublev: Blue Ridge Yellow Ochre, Lead White #1;

Schmincke: Caput Mortuum;

Michael Harding: Stack Lead White.