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"Early Morning in the Coast Range"
Oil on Raymar Portrait Quality Linen Panel
6" x 8"
And the mists gathered in the valleys and folds of the Oregon Coast Range and rolled over the high ridges as the sun arose in the northeast. Another beautiful morning and I stayed put and worked on this painting on the 4th of July, attempting to capture the feel of what I had seen for two consecutive mornings. There were elk feeding in the valley immediately below, although to see them I had to walk past the stump on the left in this painting and look over the edge; I doubt they remained there during the day … wouldn't know ... I was busy painting.
The fireworks I had seen on the evening of the 3rd were observed in the saddle of the far ridge. I was surprised by another display the evening of the 4th, when they appeared to the left of the left-hand hill of the far ridge saddle. I found out later in the week, when I attended the private view of the Coos Art Museum Maritime Show, that one evening the fireworks were at the casino and the other evening on the harbour front at Coos Bay. Again, being nine or ten miles away, they were perfect through my binoculars, after a fine leisurely meal and interspersed with watching Venus & Jupiter sliding into the west and the Moon rising in the east.
You might think that in this painting I may have used a split palette as mentioned in the previous post of the Evening in the Coast Range, but no … it is my usual palette of earth pigments and the blues; it shows what can be done with coloured muds. Of course the foxgloves and yellow flowers are dabbed in with the brighter pigments (W& N Cobalt Violet, Rose Madder Genuine, Cadmium Yellow Pale), but since they are incidentals to the main body of the painting, I don’t list them in my pigments information below. Incidentally, even though I posted the Evening in the Coast Range before this painting, I actually did that one a day later … It took awhile for my signature to dry on this one before I could scan it.
Imprimatura: Venetian Red, over the whole surface, not only where the ground is as I did in the last posted work.
The Pigments used were: Rublev Blue Ridge Yellow Ochre, Italian Burnt Sienna, with Winsor & Newton Cobalt, Cerulean & French Ultramarine Blues, Venetian Red, and Cremnitz & Titanium Whites.